Latest News
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A noticeable gap in website performance exists between the best and worst performing cultural... -
More than 100 performers have cancelled appearances at the Great Escape music festival in Brighton...
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Culture Secretary Lucy Frazer has defended UK efforts to capitalise on opportunities for businesses... -
A 'Soft Power Council' chaired by the Foreign Secretary and made up of artists and organisations... -
A group of lawyers that supports Israel has criticised a statement made by the Arnolfini last week...
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Some heritage organisations and historic UK sites are "one rainy day away from collapse" due to... -
The arts, culture and heritage workforce in England, Wales and Northern Ireland is less ethnically... -
There is strong public support for local authority funding of museums, a survey has found. YouGov...
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The Royal Philharmonic Orchestra's (RPO) status as the Royal Albert Hall's (RAH) Associate...
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Campaigners have called on Shropshire Council to protect a charity-run art centre amid concerns...
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A council-led initiative offering artists free rent in exchange for public art programmes at a... -
Young people are more open to attending opera performances than their older peers, a research...
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Performers' union Equirty has voiced its opposition to Welsh National Opera's (WNO) plans to cut...
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A levy on arena and stadium tickets should be introduced to support grassroots music venues...
Latest Features
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Cultural policy makers have not focused much on census data in the past, but that data is a goldmine for researchers, says Mark Taylor.
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Long-term Heart of Glass collaborator Chrissie Tiller reflects on working with the Merseyside-based NPO and how, by building deeper relationships with communities, the arts can create fairer futures.
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With her experience of working across multiple projects, Sarah Fortescue explores how the sector can deliver what they do best, in the best way possible?
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Covid has affected the UK theatre industry at all levels, with wide ranging impacts on the workforce, livelihoods, working practices and support networks. But, as James Rowson explains, early career workers have been particularly affected.
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After a recent appearance before Wales’s Culture Committee, Charlotte Faucher has been rethinking our new relationship with Europe.
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Evaluation reports in the cultural sector can be packed full of learning. Emma McDowell explores how we might unearth this existing knowledge.
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Professional Development
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