From issue 252
Feature
Annabel Turpin explains how a new partnership initiative is enabling three venues to provide a platform for emerging companies and present ground-breaking new work
From issue 252
Feature
This year’s British Dance Edition is hosted by eight partners, from all across London. Lise Smith describes their experiences of breaking the dance programming mould
From issue 252
Feature
Annabelle Campbell and Andy Horn share their experiences of the partnership between the Crafts Council and Birmingham Museums and Art Gallery
From issue 252
Feature
The Royal Northern College of Music and Opera North have a long history of working together. Liz Rowley explains how the formalisation of this relationship has led to exciting new opportunities
From issue 252
Feature
Lucy Cash and Becky Edmunds worked together on What If… festival in 2010 and Co-Curated What Matters at the Siobhan Davies Studios this April. Here they share their personal views on the collaboration
From issue 252
News
The National Theatre of Scotland’s (NTS) first foray into carbon-lite theatre will see an entire cast and crew cycle a 300-mile tour, carrying all costumes, set, props and personal belongings....
From issue 252
News
The pilot phase of the DCMS Jerwood Creative Bursaries Scheme has ended in success, with 90% of participants now in paid roles in the cultural and creative industries. The two-year programme,...
From issue 252
News
The Royal Opera House, the National Theatre and the Royal Albert Hall have joined forces to take advantage of ‘The Arts Basket’, a collective procurement initiative that aims to help arts...
From issue 252
News
A group of actors, directors and playwrights have voiced their opposition to BPs sponsorship the Royal Shakespeare Company (RSC). In a letter to the Guardian, co-ordinated by the UK Tar Sands Network...
From issue 252
News
A new set of environmental performance benchmarks for performing arts venues and major festivals have been published by environment experts Julie’s Bicycle, providing organisations with...
From issue 252
News
Reports in the national press that the National Youth Theatre of Great Britain (NYT) is preparing to close due to funding difficulties are wide of the mark, according to a statement released by the...
From issue 252
News
Arts Council England’s (ACE) Chief Executive Alan Davey has pledged to make reducing bureaucracy a key strategy for responding to DCMS demands for it to cut its costs. Reflecting on ACE’s...
From issue 252
News
The Department for Education’s new statutory framework for the Early Years Foundation Stage has listed Expressive Arts and Design as one of four specific areas through which children’s...
From issue 252
News
The race is on to get the new hubs delivering programmes and partnerships by September
ArtSway in Hampshire will close its gallery at the end of July. Following Arts Council England’s announcement last year that it would no longer provide regular funding to the organisation,...
From issue 252
Feature
Sarah Shalgosky sees university galleries as playing a broad and valuable role in the wider context of the visual arts
From issue 252
Feature
Tammy Bedford explains how two charities with very different charitable aims are learning to work hand in hand
From issue 252
Feature
Niranjan Kamatkar reflects on the impact of society’s slowly changing attitudes towards homosexuality on LGBTQI artists
From issue 252
Feature
What makes a good client for a major capital building project? Alan Tovey makes some suggestions
From issue 252
Feature
Chris Hutchings explains the legal pitfalls awaiting those making commercial use of social media
From issue 252
Feature
The success of Cockpit Arts’ business growth loan scheme highlights the potential for tailored micro finance in the arts. Ellen O’Hara shares their experience
From issue 251
Opinion
Glen Pearce asks: In an increasingly competitive media landscape does ‘exclusive’ coverage still hold value?