From issue 253
Feature
Suzanne Bull makes the case for disabled access to be at the heart of music venues’ strategic plans – not an afterthought
From issue 253
Feature
Across the UK and US the prison arts community is forming a transatlantic network. Becky Mer examines the ins and outs
From issue 252
Opinion
Christopher Goodhart extols the virtues, and the business case, for ensuring data accuracy in supporter communications
From issue 252
Opinion
In the final installment of a blog series examining the psychological payoff of art and creativity, Cara Courage considers the implications of taking a transdisciplinary approach
From issue 252
Opinion
Kenn Taylor argues public institutions could learn a thing or two from artist-led models
From issue 252
The Albany’s new Head of Creative Programmes is RAIDENE CARTER. She was formerly a Producer for the venue before leaving to take up the role of Associate Producer at Birmingham REP.
SHARON GILL...
From issue 252
Feature
Claire Gulliver shares the experiences of a region-wide programme to build collaborations between artists and museums
From issue 252
Feature
Sherman Cymru recently underwent an 18-month redevelopment. Chris Ricketts describes how collaborative work opened new doors for the theatre while it was homeless
From issue 252
Feature
A new festival consortium producing outdoor arts for children has found that working in partnership yields benefits for all. Miranda Johnson explains how Small Wonders works
From issue 252
Feature
Following the closure of Creative Partnerships, Martin Heaney looks to new collaborative projects run by artists, to examine the legacy of its practice
From issue 252
Feature
Annabel Turpin explains how a new partnership initiative is enabling three venues to provide a platform for emerging companies and present ground-breaking new work
From issue 252
Feature
This year’s British Dance Edition is hosted by eight partners, from all across London. Lise Smith describes their experiences of breaking the dance programming mould
From issue 252
Feature
Annabelle Campbell and Andy Horn share their experiences of the partnership between the Crafts Council and Birmingham Museums and Art Gallery
From issue 252
Feature
The Royal Northern College of Music and Opera North have a long history of working together. Liz Rowley explains how the formalisation of this relationship has led to exciting new opportunities
From issue 252
Feature
Lucy Cash and Becky Edmunds worked together on What If… festival in 2010 and Co-Curated What Matters at the Siobhan Davies Studios this April. Here they share their personal views on the collaboration
From issue 252
News
The National Theatre of Scotland’s (NTS) first foray into carbon-lite theatre will see an entire cast and crew cycle a 300-mile tour, carrying all costumes, set, props and personal belongings....
From issue 252
News
The pilot phase of the DCMS Jerwood Creative Bursaries Scheme has ended in success, with 90% of participants now in paid roles in the cultural and creative industries. The two-year programme,...
From issue 252
News
The Royal Opera House, the National Theatre and the Royal Albert Hall have joined forces to take advantage of ‘The Arts Basket’, a collective procurement initiative that aims to help arts...
From issue 252
News
A group of actors, directors and playwrights have voiced their opposition to BPs sponsorship the Royal Shakespeare Company (RSC). In a letter to the Guardian, co-ordinated by the UK Tar Sands Network...
From issue 252
News
A new set of environmental performance benchmarks for performing arts venues and major festivals have been published by environment experts Julie’s Bicycle, providing organisations with...
From issue 252
News
Reports in the national press that the National Youth Theatre of Great Britain (NYT) is preparing to close due to funding difficulties are wide of the mark, according to a statement released by the...