From issue 244 News
Arts Council England emphasises collaborative projects and financial sustainability throughout its new funding programmes
From issue 244 News
Charity to promote legacy giving in the run-up to advantageous tax changes in April 2012
From issue 244 News
Prime-time recognition for arts and heritage Lottery projects
From issue 244 News
“We have learned from this” says Davey, as new report reveals the extent of The Public debacle
Guidance on the payment of the National Minimum Wage for work experience staff and interns has been updated on the Business Link website, which also gives details of the rules regarding volunteers...
From issue 244 Feature
Debate about art and its value is often trapped in the traditional language of the money economy. Bill Sharpe suggests bringing economics back where it belongs – inside ecology
From issue 244 Feature
Kofi Kramo has found that trusteeship is a great way for arts charities and younger people to have a mutually rewarding experience
From issue 244 Feature
In the second of two articles on initiatives for stimulating fundraising in the cultural sector, Javier Stanziola looks at tax incentives
From issue 244 Feature
www.bushgreen.org This is a fantastic initiative, developed by the Bush Theatre, to empower writers and increase access to the very best new writing. If you’re a director looking for a new...
From issue 244 Feature
Consumerist capitalism has captured minds and reduced hearts, but what is the alternative, and how will artists contribute to a re-imagined society? Pat Kane, Alexandra Higgins and Matthew Taylor stoke up the debate.
From issue 243 Opinion
Collaboration and community spirit in the arts sector makes effective networking a possibility and a pleasure, says Ellen Carr
From issue 243 Opinion
Roma Backhouse fears that funding cuts will ultimately spell the end of efforts to unite London’s disaffected youth with potentially life-changing cultural experiences
From issue 243 Opinion
Want coverage for arts events? Then start standing up for local radio, says Laura Brown
From issue 243
Emma Flatley, Director of Rubicon Dance, has joined the Film Agency for Wales as Head of Exhibition and Education. She has previously worked as Project Manager for Skillset Screen Academy Wales and...
From issue 243 Opinion
Liz Hill says the private giving agenda leaves the sector walking on a tightrope
From issue 243 Feature
The relationship between the arts and science has evolved over the last decade and a half. Rosie Tooby looks to the future of this interdisciplinary practice
From issue 243 Feature
An empathetic scientist can act as a provocateur, editor, lecturer and confidant in devised theatre. Jack Lowe explains
From issue 243 Feature
People in Swansea don’t usually sing to bees: artists Owen Griffiths and Fern Thomas explain why they did
From issue 243 Feature
Primary school pupils have been having conversations with world-leading scientists thanks to an award winning science project in primary schools. Emma Rees gives the details
From issue 243 Feature
Nicola Triscott looks at the achievements of an open art-science production laboratory
From issue 243 Feature
Science-based projects can reach out to new audiences who wouldn’t normally engage with the arts. Claire Cowell describes a project that did just that
From issue 243 Feature
Cartoon de Salvo’s next devised show has emerged from a collaboration between an expert on Gigantism, a science historian and a biomedical ethicist. Alex Murdoch tells the story.
From issue 243 Feature
Artichoke is driving forward international debate about the scientific and aesthetic aspects of light. Nicky Webb explains how.
From issue 243 Feature
Visual records have always been an important element in the work of scientists, and the Natural History Museum is celebrating this with the opening of its new permanent gallery.
From issue 243 Feature
Dr Frank Burnet argues that arts festivals are the best place to showcase the interface between science and performance

Pages