From issue 03
The Royal Shakespeare Company (RSC) believes that classical work will become dull, and might even perish in a vacuum, without the oxygen of complementary and provocative new plays. Simon Reade...
From issue 03
Michael Nyman, whose music has reached its largest audience by way of film scores, has been commissioned by the Yorkshire Orchestral Consortium (YOC) to create a new orchestral piece, explains...
From issue 03
The RSC (Royal Shakespeare Company) has announced details of a sweeping programme of change which will have major implications for its artists, staff and audiences. The measures have been designed to...
From issue 03
It was in the late 1950s just after its opening that the Belgrade Theatre in Coventry pioneered the work of new writers like Arnold Wesker. The theatre made a name for itself by launching one of...
From issue 03
New Writing North was set up in 1996 to bring some clarity to the new writing ecology of the Northern Arts region, writes Claire Malcolm. The agency aims to work with both established and aspiring...
From issue 03
?Creative and cultural education? is on everyone?s lips. But what does it mean in practice? Neil Hoyle considers the evidence. Having risen through the strata of Whitehall since the National...
From issue 03
Sustrans, the sustainable transport charity, has commissioned over 300 unique environmental artworks across the UK, which are being embedded in the creation of the National Cycle Network....
From issue 03
Technically, Copperfields College isn't a failing school, as it?s not in Special Measures, explains Richard Whistler. And it?s important not to use the term ?failing school?, as emotionally it?s...
From issue 03
On Monday last week The Guardian published a succinct round-up of media coverage of the election ? and there were few surprises. 1,929 stories were surveyed, and of these, only 0.2% related to the...
From issue 03
The arts curriculum at independent schools such as St Mary?s provides space, time, freedom and the motivation to help students achieve wide ranging academic, social and personal aims, says Carole...
From issue 02
I found the leader article in last week?s ArtsProfessional confusing. Resource is an agency with responsibility for Museums and Libraries and yet they were offering views on the suitability for...
From issue 02
ArtsProfessional and Dispatched have received over 700 personal email messages of support since their launch was announced at the end of April... so thank you all for your kind words. Here?s our very...
From issue 02
As the Year of the Artist draws to a close, Nick Capaldi reviews the Regional Arts Boards? stewardship of this nationwide initiative in England. Someone was bound to ask the question sooner or...
From issue 02
Vanessa Dell was initially artist in residence at the architectural practice of Hunter and Partners in Chichester for sixteen days over a period of three months. The residency focused on two new-...
From issue 02
Mixed media artist Adi French has been helping patients, staff, visitors and volunteers at St Leonard?s Hospice in York get in touch with their creative side. St Leonard's is a voluntary and...
From issue 02
A public outcry following the fire which destroyed the Willow Giant next to the M5 in Somerset has led to the setting up of a fund for the re-creation of the sculpture. The 40-foot high sculpture...
From issue 02
Now we all know that arts professionals never have time to surf the web just for fun, but there are some sites that, should you have a spare hour in the middle of the night to surf, you might like to...
From issue 02
Change is still in the air: not just at the Regional Arts Boards and the Arts Council of England. Now it is England?s Culture Ministry and Minister, not to mention the Government itself, who are all...
From issue 02
So it?s general election time again. A good opportunity to vote into power the party that will do most to support, nurture and promote the value of the arts? Or a disappointing illustration that...
From issue 02
Christopher Nourse (pictured) is to succeed Carole McPhee as Managing Director of English National Ballet. Executive Director of Rambert Dance Company for the past four years, he will take up his...
From issue 02
For promoters, a key issue is fitting the space to the art; just as much as fitting the art to the space. Ed McKeon explains why. Over recent years it has become fashionable for arts...
From issue 02
First time title sponsorship from the Bank of Scotland has enabled the Children?s International Theatre Festival, Britain?s biggest performing arts festival for children and young people, to offer...
From issue 02
20 venue promoters, 3 cathedrals, 21 projects in four artistic strands ? Eastern Touring Agency?s (ETA) The Creative Promoter was always going to be big, explain Viv Ewington and Catherine Rose. The...
From issue 02
Celebrating 20 years of bringing some of the world?s most original, risk-taking and popular artists to the capital, the 2001 London International Festival of Theatre (LIFT), marks the end of its...
From issue 02
The promoter at a standard concert hall, opera house, theatre or dance venue is restricted in many ways by the physical layout of the space within which they have to operate, writes Michael MacLeod....

Pages