VENU DHUPA will be standing down from the post of Director of Creative Development at Creative Scotland at the end of February 2013. Her departure follows that of Chief Executive ANDREW DIXON, who is...
From issue 260
HENRIETTA DUCKWORTH is leaving the West Yorkshire Playhouse, where she has been Producer for the last eight years, to work as a freelance.
From issue 260
Three Choirs Festival has appointed DOMINIC JEWEL as General Manager. He is a classical music producer with BBC Scotland and a former sub-principal first violin with the BBC National Orchestra of...
From issue 260
SAM HODGES, currently Producer at the Criterion Theatre, will be the new Creative and Executive Director and Chief Executive of the Nuffield Theatre in Southampton. He will replace PATRICK SANDFORD...
From issue 260
MARTA BOGNA has left the role of Press Manager at The Place in London after two years, to join Caro Communications as an Account Director.
From issue 260
Bristol’s Watershed has appointed JAMES TALJAARD to the new senior position of General Manager. He joins following 11 years at Arts & Business, prior to which he was General Manager at...
From issue 260
The Courtyard in Herefordshire has appointed IAN ARCHER to the position of Chief Executive. He is currently the Chief Executive at Hull Truck Theatre.
From issue 260
The Director of the Paul Hamlyn Foundation, ROBERT DUFTON, is stepping down after nine years in the role. He will join the Centre for Charity Effectiveness at Cass Business School, London.
From issue 260
Former Radio 1 boss ANDY PARFITT is the new Chair of Youth Music, following the resignation of SIR RICHARD STILGOE.
From issue 260
Opinion
The NewcastleGateshead Initiative has plans for the future, explains Carol Bell.
From issue 260
News
A new resource pack aims to help organisations engage more effectively with commissioners, particularly in the area of health and social care. Jointly produced by the Local Government Association,...
From issue 260
News
Arts Council England (ACE) and the Local Government Association (LGA) have set out an agreement on how the two bodies will work together to “support local cultural offers that make life better...
From issue 260
News
Plans for a ‘Cathedral of Stories’ in Oxford have been approved by the city’s planning committee. The Museum of Stories will transform three existing buildings around a courtyard in...
From issue 260
News
An Evidence Library has been created to catalogue a collection of independent research and evaluation on the impact of arts-based projects in the Criminal Justice System, with the aim of putting the...
From issue 260
News
A podcast on trusteeship has been launched by the Charity Commission, covering topics including the induction of trustees, the professional rewards associated with the role and good trustee...
From issue 260
News
The arts sector needs to use digital technology to present its case for support to potential donors, according to a new report into Digital Giving, commissioned by the DCMS and written by the chair...
From issue 260
News
A comprehensive archive of theatre photography, including 100,000 images from around 30,000 productions has been acquired by the Victoria and Albert Museum in London. The collection belonged to...
From issue 260
News
14 new jobs will created across Leeds Museums and Galleries as a result of £5m being awarded over the next three years by Arts Council England (ACE). The new jobs will be concentrated in the...
The cash-strapped Kochi Biennale Foundation is considering crowd-funding, charging patrons a token fee, and soliciting further government support to keep the show going.
Welwyn Hatfield’s Hawthorne Theatre has overturned a ban on children under 3 years after a parent complained.
The Government is to scrap an archaic law that makes it illegal to download a legally-purchased CD onto a laptop, smartphone or MP3 player.
The South London borough is claiming ownership of the sculpture due to an assets transfer after the dissolution of the Greater London Council.
The theatre’s fortunes have revived since facing closure in 2008, after Arts Council England withdrew its funding.
From issue 260
Opinion
Jane Beardsworth sees no reason to suspect improper processes relating to ATTL in the North West.
From issue 260
Opinion
Grant-makers owe it to their staff and those they fund to operate a fully transparent process that leaves no room for allegations of misfeasance, says Liz Hill.