Bids for £40m to build a new arena and £35m to refurbish Colston Hall have been turned down by the Regional Growth Fund. Bristol’s mayor, George Ferguson, is working with Government...
ACE objects to plans for a raid on Croydon’s historic cultural assets to pay for a new arts centre.
A 12-month programme of events will lead up to Festival 2014, a mix of culture and street performances taking place in the city during the Games.
A  £7.5m contribution from Arts Council England should see renovation work completed in time for its 75th anniversary.
From issue 266 News
Better evaluation and wider sharing of research findings is seen as a priority for developing the most effective and efficient arts in heath interventions.
Ex-BP chief executive and crossbench peer Lord Browne argues that private philanthropy fails less often than government or market intervention in supporting the arts.
A Conservatoire education is proving to be one of the most successful routes to employment, as 100% of the Royal Academy of Music’s 2012 graduate cohort were in employment or further study...
From issue 266
Artistic Director of Shakespeare’s Globe, DOMINIC DROMGOOLE, has announced he is stepping down in April 2016.
From issue 266
Ex-Director of the Cultural Olympiad, RUTH MACKENZIE, has been appointed as the new Artistic Director of Holland Festival. She takes over from PIERRE AUDI, who will step down after the 2014 festival...
From issue 266
Beyond the Border, Wales’ international festival of storytelling, has appointed BECKA RICKARD as its new Company Manager. Previously, she was Producer for Dartington International Summer School...
From issue 266
What’s the difference between professional and amateur choirs? Caroline Gill finds out.
From issue 266 Book review
Crowdsourcing for Dummies reveals new ways of involving the public in the arts, says Nicole McNeilly.
From issue 266 Arts People
Outgoing Polka Theatre Artistic Director Jonathan Lloyd tells us who and what has inspired him throughout his career.
From issue 266 News
A new project to drive innovation in audience development is aiming to unlock the potential of ‘Big Data’ for the sector, with plans for box office data-sharing and online intelligence....
From issue 266
If the marketing is right, it is possible to sell risky shows in hard times, says Rupert Christiansen.
From issue 266
It’s time to rethink the purpose of art school, argues Tiffany Jenkins
From issue 266
Arts organisations must work hard to attract and maintain philanthropic support, argues Michael Kaiser.
The tour will start at the Globe on 23 April 2014, the 450th anniversary of Shakespeare's birth, and close there exactly two years later on 23 April 2016, Dominic Dromgoole's last scheduled...
This is the global business firm’s largest collaboration with a single arts organisation in the UK and will start with sponsorship of this autumn’s Paul Klee exhibition.
From issue 266 Feature
Tamsin Dillon describes how art is being used to mark the 150th anniversary of the London Underground.
From issue 266 Feature
Mark Fisher charts the global success of ‘Made in Scotland’, the programme which showcases dance and theatre companies at the Edinburgh Festival Fringe.
From issue 266 Feature
Caroline Greener believes that cultural centres should be reaching out to those who will never physically visit their venue.
Former Culture Secretary Jeremy Hunt suggested a biennial arts festival to form part of a legacy for the London 2012 festival, but  the Cultural Olympiad Board has not included the idea in its...
News
A project that created eight new community singing projects in deprived areas, and evaluated them using research methods grounded in community research practice, has found that  choirs can have...
From issue 265 News
The arts sector in England is aiming to improve its handling of large data sets, supported by funding from the innovation charity Nesta. Inspired by research in the charity’s report ‘...

Pages