From issue 167
In-house audio description and captioning has made its mark at a newly refurbished theatre, writes Miranda Yates.
From issue 167
How can arts organisations join the preparations for the Olympic and Paralympic Games in 2012? Alex Homfray explains.
From issue 167
Involving communities and workforces is the key to cultural projects in the build-up to 2012, explains Sally Shaw.
From issue 167
New funding from Government and the Lottery add up to a windfall for Scotland?s arts
From issue 167
In a drive to become more accessible, the Royal Opera House (ROH) is launching a series of new initiatives aimed at widening its range of audiences. The first cinematic performances of ballet will be...
From issue 167
The activities, structure and funding of the British Council’s arts and cultural work will be affected if changes proposed in a new strategy document are ratified. ‘British Council Arts...
From issue 167
Cultural organisations must engage more positively with professional development for their current and future leaders, according to a new report reviewing the progress of the Cultural Leadership...
From issue 167
The Torch Theatre in Milford Haven has been officially reopened following a £5.4m six-year refurbishment programme to upgrade and extend the building and to purchase new equipment. The flagship...
From issue 167
Eight of the longest established Theatre In Education/Theatre for Young People companies in Wales have joined forces to form the National Agency of Wales for Theatre for Young People. The new...
From issue 167
The long-awaited opening of The Public, one of Britain’s largest and most ambitious and expensive cultural building projects, is now set for the end of June 2008. Located in Sandwell in the...
The Clore Duffield Foundation has announced a £1.5m investment over three years in the creation of the Clore Social Leadership Programme, an initiative to search out and provide support for...
From issue 167
Reading this issue’s front page, arts professionals in England, Wales and Northern Ireland might be enviously thinking: time to move north. Scotland seems to have been showered with new cash...
From issue 167
Jane Thomas suspects that many small arts organisations are missing a trick in terms of how they make use of low cost IT solutions.
From issue 167
Witty, purposeful, high quality public art is possible in a community context, as Richard Erwin-Jones shows.
From issue 167
Jenny-Anne Dexter takes us on a tour of her favourite virtual haunts.
From issue 167
Sean Egan counsels us to beware of infringing discrimination laws when dealing with unsolicited employment applications
From issue 166
Recently, as the arts and politics have seemed ever more connected, it has become harder to make out where the relationship is healthy and where it is not. What Caroline Levine demonstrates in her...
From issue 166
Amanda Jones takes the role of Director of External Relations at the Crafts Council, moving from the Esmée Fairbairn Foundation where she was Programme Director, Arts & Heritage. Her...
From issue 166
Using the arts to change young lives for the better can be achieved through partnerships between the creative industries, education and youth services, writes Amy Eastwood.
From issue 166
Andy Dalton and Jane Redfern show how rural teenagers can embrace challenging contemporary art in a project linking the A-level curriculum to an art gallery.
From issue 166
Interactivity is the key, says Sara Grady, as she aims to attract the younger audience to literary events.
From issue 166
Making it fun is more important than preaching, discovers Kennedy Stewart, as teenagers explore the binge-drinking culture through dance.
From issue 166
From the Royal Opera House to a claypit in Cornwall, theatre would not survive without the ?invisible profession?, writes Barbara Eifler.
From issue 166
Helping aspiring young stage managers into a job needs online support and information. Laura Drane and Sara Teiger explain.
From issue 166
Neil Fraser delves into the student perspective on learning the trade ? and the art ? of stage management.