From issue 219
Gaining sponsorship may seem harder than ever, but it’s not impossible says Anna Burns.
From issue 219
Bridget Rennie looks on the bright side as she considers surprising sponsorship opportunities in the Square Mile.
From issue 219
Cultivating relationships is key to successful sponsorship partnerships, says Lucy Stout.
From issue 219
Stephen Beddoe shares the route he took to his current role.
From issue 219
Cuts to culture leave local authorities working to worst-case scenario plans while Arts Council England enters tough talks.
From issue 219
A new initiative designed to connect ten neighbourhood museums and galleries across London has been launched, to coincide with the opening of London Overground’s East London Line. ‘...
From issue 219
Arts & Business (A&B) is holding briefings across the UK for arts organisations interested in taking part in its ‘Big Arts Give’, which aims to “reanimate individual...
From issue 219
An application for planning approval for a £28m redevelopment of the Everyman Theatre has been submitted to Liverpool City Council by the Liverpool Merseyside Theatres Trust. The funding plan...
From issue 219
A new Arts Council England (ACE) report offering ideas for the future of dance agency provision in England has revealed widespread confusion over the terminology used to identify funded dance...
From issue 219
Of the seven recipients of Artsadmin’s bursary scheme for live art this year, three have been awarded to deaf or disabled artists. Each of the winners will now receive a share of the £36...
From issue 219
Details have been published of planned commissions and development sites for art in the public realm around Stratford, East London, to coincide with the 2012 Olympics. Around 25 commissions are...
From issue 219
The future of Aberdeen’s main contemporary arts centre, Peacock Visual Arts, hangs in the balance as plans for its new city centre building have been shelved in favour of a garden square that...
From issue 219
Thirteen universities in the south east of England have joined forces in support of the Cultural Olympiad to create a programme of cultural events inspired by the different Olympic and Paralympic...
Arts buildings are well represented among the 93 UK winners of the Royal Institute of British Architects’ 2010 Awards for architectural excellence. Whitechapel Gallery, Nottingham Contemporary...
From issue 219
Paul Hobson reveals the people who have inspired him most.
From issue 219
Got a conundrum? Let AP find the expert with a solution.
From issue 219
With Creative Scotland due to be launched next month, following several years of political wrangling and rebellion, Eleanor Turney finds out from Chief Executive Designate Andrew Dixon what happens next.
From issue 219
Stuart Styles explains how his company balances creativity with business acumen.
From issue 219
Tim Joss considers the seductive nature of endowments, but urges caution.
From issue 219
With more and more arts professionals joining the consultants’ ranks, Anne Bonnar has some important advice for those tendering for contracts.
From issue 219
What worst-case scenario? A little under a month ago, I asked Arts Council England (ACE) what worst-case scenario outcomes had already been modelled for: were plans in place to cope with a 5% budget...
From issue 218
ANNE CUNNINGHAM has been appointed Chief Executive of The Art House, a national membership organisation for both disabled and non-disabled visual artists. Anne spent much of the past decade at the...
From issue 218
Involving the audience is one thing, but Charlotte Handel is trying to get the whole community around the Theatre Royal Stratford East involved in programming a season of work. She explains the thinking behind the scheme.
From issue 218
A greater focus on audience development can increase revenue and justify public funding for the arts, says David Brownlee.
From issue 218
Marika Player describes a new online scheme that encourages audiences to provide support for producers to develop theatre.

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