From issue 213
Terina Talbot explains how creating radio dramas brought together teenagers from very different walks of life.
From issue 213
Theatre Resource, one of the largest disabled-led arts organisations in the UK, has begun building work to develop its current arts centre into a National Centre for Arts Access and Inclusion. It is...
From issue 213
A new company is likely to be formed to take over the troubled Northcott Theatre in Exeter, and to take the venue out of administration, according to the official administrator, Begbies Traynor. The...
From issue 213
Four UK cities have been shortlisted in the race to become the first City of Culture in 2013. Birmingham, Derry/Londonderry, Norwich and Sheffield have been chosen from a long list of 14, with the...
From issue 213
A new sustainable business model, involving partnerships with venues across England, is being developed by Sustained Theatre, a network of Black, Asian and minority ethnic (BAME) artists. The...
From issue 213
The Old Vic theatre is to open a new not-for-profit venue in the tunnels beneath Waterloo Station, which will host at least four shows or art installations a year. The organisation first used the...
From issue 213
The UK’s national network of 12 audience development agencies has re-launched itself as Audiences UK, and has published a ‘manifesto’ highlighting five issues which it believes...
From issue 213
The Institute of Contemporary Arts (ICA) has strongly rebutted media reports that it may be about to close. The organisation has been troubled by reports of financial and artistic problems, but a...
From issue 213
UK musicians wishing to work or tour abroad are suffering from a lack of collaborative, lateral and entrepreneurial thinking by Arts Council England (ACE) and the British Council (BC). A new report...
The Mayor of London has launched ‘Making Music Matter’, his music education strategy for London 2010–2012, and unveiled plans for a £100,000 fund for music education. The fund...
From issue 213
Commenting on our lead story from AP211, Linda Ball looks at how to sustain creative careers in the twenty-first century.
From issue 213
Damian Hebron assesses the current state of play for the arts in health sector.
From issue 213
In the second of our series around Arts Council England’s consultation, John Hartley considers the arts and climate change.
From issue 213
Eric Booth considers recent changes in the arts landscape in the United States, and looks to experimentation as key to a successful future.
From issue 213
Can the arts not only catch up with new technologies, but lead the way? Hasan Bakhshi, Radhika Desai and Alan Freeman summarise their recent report, arguing that the arts both can and should.
From issue 213
Trouble ahead?
Proof that AP has its finger on the pulse has been amply shown in the wider media over the past month, as the issue of arts internships (AP211) has been taken up by the Guardian, the...
From issue 212
The Chief Executive of Creative Scotland will be ANDREW DIXON, currently Chief Executive of the NewcastleGateshead Initiative. His appointment will be effective from the date that Creative...
From issue 212
Jack Gilbert looks at the wealth of Jewish cultural life and explains how one organisation hopes to share it with the world.
From issue 212
An award for art in places of worship aims to encourage debate and recognise the best examples, writes Gill Hedley.
From issue 212
Hassan Mahamdallie and Abid Hussain profile the work of Arts and Islam and draw out the diverse range of work that falls under that heading.