From issue 270
Rachel Spence reports on the contemporary artists who are responding to the hike in tuition fees for university arts courses by creating their own art schools as an extension of their work.
From issue 270
Arts Council England has announced the appointment of CLARE TITLEY as Director of Philanthropy, starting in February 2014. Titley has over 15 years’ of fundraising experience in both...
From issue 270
After three years as Marketing and Communications Manager at Nottingham Playhouse, BEA GRIST is leaving to take up the role of Marketing Manager at the Almeida Theatre in the new year.
From issue 270
ANITA BHALLA OBE has been elected as the new Chairman of Performances Birmingham Limited (PBL), the charity that runs Town Hall and Symphony Hall Birmingham. A former senior BBC executive, she will...
From issue 270
SOPHIE CHANNON has been appointed as Membership Marketing Coordinator at the Arts Marketing Association.
From issue 270
BEN HARMAN will be the new Director of Stills at Scotland's Centre for Photography. He is currently Curator of Contemporary Art at the Gallery of Modern Art (GoMA) in Glasgow and will succeed...
From issue 270
HONOR HARGER is leaving her position as Artistic Director at Lighthouse to take up a new role as Executive Director of a major international arts venue in early 2014.
From issue 270
Kneehigh has appointed ALAN LIVINGSTON as Chair of the board of trustees. He will replace DAVID JUBB, who has chaired the board for five years.
From issue 270
Wales Millennium Centre has announced the appointment of GRAEME FARROW, who was Executive Programmer for the UK City of Culture in Derry Londonderry, as its new Artistic and Creative Director. Prior...
From issue 270
Four new Directors have been announced at Creative Scotland. LEONIE BELL has been appointed as Director of Arts and Engagement, having worked as Creative Programmer for the London 2012 Festival and...
From issue 270
News
The latest cinema initiative will see English National Opera’s productions broadcast live.
The Newcastle Culture Investment Fund which was set up to offset cuts to the arts in North East England is yet to receive donations from organisations and wealthy donors. As yet, no one has come...
Birmingham City Council is looking to outsource the running of its Old Rep Theatre in an attempt to save money. Council Deputy Leader Ian Ward said: “we simply don’t have the funding for...
From issue 269
News
The Warwick Commission is aiming to develop new policy thinking and practical recommendations related to the long-term sustainability of culture in the face of tough economic challenges.
From issue 269
Michael White says if we can finally get Britain’s children singing, it might just filter upwards and no longer be ignored.
From issue 269
Andrew Horwitz on the American fundraising model and artists as entrepreneurs, who want money so they can make more art, not more money.
From issue 269
People are biased against creative thinking and “unexceptional ideas are far more likely to be accepted than wonderful ones” says Jessica Olien.
From issue 269
Johnny Gailey wonders if Creative Scotland has it in itself to ‘grasp the thistle’, a year after its implosion and a year before the independence referendum.
From issue 270
Case study
Cathy Agnew introduces a new style of regional arts agency for Dumfries and Galloway with a 'chamber of arts', made up of elected artists covering different areas and interests.
From issue 270
Case study
The Transported programme took arts activity to unusual places in south Lincolnshire and gathered valuable feedback from people in rural communities. Melissa Marlowe reports.
From issue 270
Case study
Word/Play is an initiative in Somerset for people with mental illness or a learning disability. Mark Helyar describes how it has engaged with this predominantly rural community.
From issue 270
Case study
Inside Out Dorset is a biennial festival of large-scale performances in stunning rural and urban settings. Kate Wood describes how it comes together.
From issue 270
Case study
Gavin Stride explains how a new touring model will connect artists more closely with programmers and audiences to fill theatres across the regions.
From issue 270
Case study
Claire Smith describes how a small-scale rural touring project in Cheshire was developed and funded to reach audiences from six rural touring schemes.
From issue 270
Feature
What can be done to create better links between a touring company and the communities where it tours? Catherine Love offers some suggestions.