Issue 264

Making the most of buildings

Image of St James' Theatre, London
Photo: Tom Cronin

The Theatres Trust’s forthcoming conference will examine how theatre buildings can achieve financial self-sufficiency and high energy performance. Mhora Samuel shares some of the themes.

The title of our conference ‘Thriving Theatres’ is in part provocative as many theatres ponder the question of how best to survive in these times of austerity and deal with the changing role of the public sector to both deliver and fund services. It is also a call to all those who aspire towards growth in the economy, more engaged communities, healthier people and investment in infrastructure, to see that theatres can provide solutions. Following Maria Miller’s speech at the end of April,...

Also in this feature

Image of Cornerhouse

The Cornerhouse has made significant steps to reduce its environmental footprint.

Image of wheelchair

Tony Heaton reflects on how far we have come to make arts buildings accessible to all.

Image of exterior of Tate Modern

How can we make sure that physical access improvements remain a priority despite current economic constraints? David Bonnett has some suggestions.

Image of wind turbine at Glyndebourne

Gus Christie tells the story of Glyndebourne's wind turbine, the first to be commissioned by an arts organisation.

Photo: Sam Stephenson
Image of concert hall

Janet Smith discusses how the new arts centre at the Royal Welsh College of Music & Drama has created commercial opportunities and valuable experiences for the students.

Photo: Nick Guttridge
Image of The Tetley

The former headquarters building for Tetley brewery is to be transformed into a new contemporary visual arts centre for Leeds.

Photo: Pippa Hale
Image of ex-vocational college in Bristol

Sue Ball and Ruth Essex analyse the culture and economy around the temporary use of disused buildings.

Photo: Joe Clarke
Image of the National Theatre's red shed

The Shed, a temporary venue in front of the National Theatre, provides a third stage during the closure of the Cottesloe Theatre.

Photo: Philip Vile