Which is more influential over repeat attendance – performance or venue? Hannah Mitchell reveals...

ACE does a U-turn on measures to protect its reputation as pressure mounts to respect freedom of...

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Arts People

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After four years at the helm, LUCIAN MSAMATI is stepping down as Artistic Director of Tiata Fahodzi. The announcement coincides with the...
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Artistic Director of the Queen’s Theatre in Hornchurch BOB CARLTON is stepping down after 17 years to work as a freelance director and to...
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AMELIA FITZALAN HOWARD, who has been Head of Grants for the Henry Smith Charity for the last ten years, is the new Director of the Rayne...
VocalEyes has appointed MARK TAYLOR to act as Interim Chief Executive following the retirement of JUDY DIXEY. Taylor was most recently...
The new CEO for The Cheltenham Trust is JULIE FINCH, who will relocate from Perth, Australia where she is currently the New Museum Project...


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Applying for Creative Europe funding for a Cooperation Project requires real commitment and many hours devoted to completing the application form, warns Lorraine von Gehlen.

Good reads

  • Catherine Mallyon and Sarah Ellis of the RSC talk about building the confidence and capacity required to make the most of digital technologies.

  • After almost a decade at the helm of London’s Photographers’ Gallery, Brett Rogers discusses changes in the medium, the importance of trainee programmes and why photographers are interested in accountancy.

  • Index on Censorship's Julia Farrington argues that the controversial cancellation of Exhibit B reveals the much bigger issue of mono-cultural bias in the arts.


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There have been very few progression routes in the performing arts for young, disabled people who want to make a career in the arts, but Claire Hodgson is aiming to change that.


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Creating a level playing field for visual artists is the aim of online gallery Outside In. Kate Davey tells how its surgery days show artists how to display their work online.