ACE will be changing its branding guidelines following questions about the failure of The Space...

Data management has to be everyone’s responsibility and not just seen as an “esoteric specialism...

Report by the British Theatre Consortium paints the most comprehensive picture to date of the UK...

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Latest News

Jobs of the Week

Arts People

ANTHONY SARGENT, founding General Director of Sage Gateshead, has been appointed CEO of Toronto’s Luminato Festival.
Currently the joint Artistic Director of Fierce Festival, LAURA MCDERMOTT is to become the new Creative Director of the Attenborough Centre...
Director of Norway’s Bergen Kunsthall, MARTIN CLARK will return to the city where he went to university, to take up the role of Artistic...
Director of Marketing & Communications at Scottish Opera, HELEN IRELAND, is leaving the organisation after eight years to join National...
MARK BALL, the Artistic Director and Chief Executive of LIFT (London International Festival of Theatre), has been appointed as the Chair of...

Good reads

  • A sixth form student explains how important studying theatre has been in developing her creative potential, and makes the case for all arts subjects to remain integral to schools.

  • Despite highlighting news that Harvard and Brown Universities are investing heavily in the arts sector, Sydney Skybetter is “concerned by how rarely artists profit from the value they produce”.

  • Jason Farago asks whether indigenous art should be returned to the people who created it, or whether it should remain in national museums.

Conferences & Training


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Many agree that we are not doing enough to support working-class actors as they start out in their chosen career. But Anna Campbell has a controversial idea for a solution.


Production shot of Women on the Verge of a Nervous Breakdown

Hannah Mitchell explains how arts organisations can achieve the desired ticket sales through significantly fewer emails.


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Taking female actors to Saudi Arabia to perform with young Saudi women is just one of the National Youth Theatre’s ground-breaking activities, says Paul Roseby.