From issue 278
The art world in 2014 is not a place that is primarily concerned with art; its overriding pre-occupation is money, writes Will Gompertz.
From issue 278 Author(s): Liz Hill
The rapid decline in the number of local authority arts services has sparked a new drive to protect and develop local cultural infrastructure.
From issue 278 Author(s): Liz Hill
Raising the profile of professional performances taking place at some of Scotland’s more remote locations is a key aim of a new marketing push.
From issue 278
Arts Council England’s Executive Director, London and the South East, MOIRA SINCLAIR is stepping down to take up the post of Director at the Paul Hamlyn Foundation.
From issue 278
The Museums Association (MA) has appointed SHARON HEAL as its new Director. Currently Head of Publications and Events at the MA, she will be the Association’s first female Director.
From issue 278
Executive Director of Watford Palace Theatre, MATHEW RUSSELL is leaving to take up the role of Executive Producer at the Southbank Centre. Ahead of his departure, JAMIE ARDEN has been appointed...
From issue 278
The new Chief Executive of Stagetext is NIGEL MCCUNE, following the departure of TABITHA ALLUM after ten years as CEO. McCune joins Stagetext from the Centre for Creative Collaboration at the...
From issue 278
Interim Director of the Centre for Chinese Contemporary Art SARAH FISHER will pass the baton to Director ZOE DUNBAR at the end of the year. Dunbar leaves Imperial War Museum North where she is...
From issue 278
Kettle's Yard, Cambridge, has appointed LIZ HUGHES as Capital Project Coordinator. Over the next three years she will work alongside the Director and Head of Operations to deliver a redevelopment...
From issue 278
Potter, writer and Senior Tutor at the Royal College of Art ALISON BRITTON OBE is the new Chair of the Board of Trustees for the Crafts Study Centre.
From issue 278
PRS for Music Foundation has appointed ROYCE BELL as the new Chair of its Board of Trustees. Bell is CEO of Accenture Information Management Services and has experience of working in non-executive...
From issue 278
LIFT (London International Festival of Theatre) has appointed Tony Award winning producer DAVID BINDER as Artistic Associate following a collaboration on outdoor production ‘Deblozay’.
From issue 278
Jonathan Jenkins explains in plain English the options for charities thinking about accessing social investment for new projects or ventures.
From issue 278 Author(s): Phil Castang
Phil Castang takes us through the steps of his career in the music world, which landed him at the helm of Bristol Plays Music.
From issue 278 Author(s): Hannah Mitchell
In December, almost half of the tickets sold to a venue's Christmas show are likely to be bought by new customers at that venue. Hannah Mitchell explores the marketing implications.
From issue 278
Women in theatre are at no disadvantage, and gender stereotyping is reinforced by "reducing the complex question of equality to a matter of statistics and quotas", says  Rupert Christiansen.
From issue 278 Author(s): Liz Hill
While the future of the city’s large-scale arts and entertainment providers is secured, the summer music festival has “come to the end of the road”.
From issue 278
Alf McCreary speaks to chairman Professor George Bain to reveal the backdrop to the financial crisis facing the Ulster Orchestra.
From issue 278
To gain greater prominence, it's important that learning disabled theatre can benefit from proper evaluation, critical self-awareness and outside input, just like the rest of the creative arts, argues Lyn Gardner. 
From issue 278 Author(s): Monica Karpinski
The UK’s creative industries are growing massively, but does the sector have the right skills in place for this to continue indefinitely, asks Monica Karpinski.
From issue 278 Author(s): Charlotte Jones
As the Independent Theatre Council celebrates its 40th anniversary, its members discussed touring, artists’ pay, inclusion and much more at its recent conference. Charlotte Jones reports.
From issue 278 Author(s): Nicky Goulder
Nicky Goulder tells how a project combining literacy, music and illustration has brought offenders closer to their young children.
From issue 278 Author(s): Liz Hill
The Stirling Prize-winning building is described as “a ground-breaking example of how to build a daring bold and highly sustainable large public building in a historic city centre”.
From issue 278 Author(s): Liz Hill
National Lottery revenues in the first half of 2014/15 have soared but good causes are seeing less of the benefit.
From issue 278
Producer PHIL HARGREAVES has joined Déda’s programming team as Associate Producer (Dance). He has previously worked with Dep Arts, Phoenix Dance Theatre, 2Faced Dance Company and Joss Arnott...

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