From issue 276
Classical musician James Rhodes is on a one-man mission to transform music education in primary schools. Janet Murray finds out why.
From issue 276
Elisabeth Braw examines the growing trend for company choirs and how they’re boosting employees' health, creativity and confidence.
From issue 276
A recent Broadway musical closed doors even though ticket sales were still strong. Pia Catton on why it is sometimes wise to quit while you’re ahead.
From issue 276
Native talks to the cultural economist about changes in the arts and society over the last thirty years.
From issue 276
As Northern Ireland arts organisations reel from unexpected funding cuts, Fionola Meredith argues that placing accessibility above all will starve the arts out of existence.
From issue 276 Author(s): Frances Richens
A new report coincides with a Channel 4 documentary, shining a spotlight on the challenges faced by musicians.
From issue 276 Author(s): Frances Richens
More than €5m has been awarded to UK organisations to lead collaborative projects by the European Commission's revamped funding programme.
From issue 276
The Wales Council for Voluntary Action has appointed RUTH MARKS as its new Chief Executive. The current Director of Care and Development at Reach replaces GRAHAM BENFIELD, who stood down after 25...
From issue 276
As the dust stirred up by Arts Council England’s latest National Portfolio funding announcement settles, ITC’s Charlotte Jones looks at the growing wealth gap between large and small arts organisations.
From issue 276
Edge Hill University’s new Head of Performing Arts is DAVID PEIMER. His career in academia, writing and directing has included positions at the University of the Witwatersrand in Johannesburg...
From issue 276
Veteran theatre producer Thelma Holt discusses the past and future with Andrew Dickson.
From issue 276
The new Head of Public Performance at music licensing company PPL will be SARAH MITCHELL, who joins from Eurostar International Limited. AMANDA CARMICHAEL, who was previously Director of Membership...
From issue 276
LAURA GREENFIELD, currently Head of Development at Cambridge Arts Theatre, is leaving for a new role as Associate Director of Fundraising for Cambridge University Library.
From issue 276 Author(s): Liz Hill
The contribution that the cultural sector can make to the planning, design and animation of the public realm and architecture should be reinforced, according to an independent review commissioned by the Culture Minister.
From issue 276
A massive overhaul of the California state and local correctional system  has seen a system-wide sea-change with an emphasis on rehabilitative programmes - including the arts. Craig Watson tells the story.
From issue 276
What happens when you take two three-year-olds and two five-year-olds to see a postmodernist art exhibition? Sally Saunders shares her experience.
From issue 276
Commissions fail to provide a living for most composers, who earn on average less than £4k a year for this work.
From issue 276
Bob and Roberta Smith step up their fightback against the government's “attack on the creative arts” with a new movie being launched to coincide with the publication of this year’s GCSEs.
From issue 276
The mainstream critics seem to have fallen out of love with Edinburgh, while fringe freesheets and blogs by young people have been thriving, observes Lyn Gardner.
From issue 276 Author(s): Liz Hill
Festival-going is on the increase, though cinema and reading for pleasure are still the most popular forms of cultural engagement.
From issue 276
John Newbigin assesses the relevance of Britain’s education system in an era when the techniques, technologies and mindset of the world of arts and digital entertainment are feeding whole swathes of the economy.
From issue 276
Sarah Crompton sees the trend for allowing photography in galleries as the surest path to depriving art of all purpose and meaning.
From issue 276
Can Google Glass improve the experience of live classical music? Ivan Hewett thinks not.
From issue 276
‘Genius’, ‘perfection’, ‘brilliance’ – Tom Sutcliffe examines the mismatch between promise and fulfilment at the Edinburgh Fringe.
From issue 276
The new Director of Marketing and Communications for Birmingham Royal Ballet is KARA LARSON. Founder of the consulting firm Arts Knowledge, she previously worked in senior marketing and...

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