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Volunteer promoter Tom Speight writes about the joys of hosting professional performing arts right on his doorstep as part of a rural touring scheme.
At The Watermill Theatre, the cast lives on site – alongside ducks and chickens – for the whole production process. New Artistic Director Paul Hart reveals the effect on the company.
A lack of business skills and access to equipment was holding artists in Dumfries and Galloway back. Clare Hanna explains the origins of Upland and how it supports artists.
Some arts attenders are more ‘promiscuous’ than others, the Audience Agency’s data can reveal.
How and why do rural touring companies thrive? Sue Robinson reviews the latest contribution from Francois Matarasso, a writer who has been helping her to answer similar questions for 20 years.
Rachael Griffin tells us who has inspired her most.