From issue 247 Arts People
Jo Hammett reveals those who have inspired her most
From issue 247 Feature
Katy S Austin examines the current barriers around creative therapies and talks to artist Stuart Semple about how his immersion in art healed him more than drugs ever could
From issue 246 Opinion
Glen Pearce details the frustrations of theatre’s most influential audience
From issue 246 Opinion
Playing it safe may be the most dangerous option
From issue 246 Opinion
Chrissie Tiller argues for the value of an ‘austerity Olympics’
From issue 246 Opinion
In the first installment of our new series, Nick Sherrard reveals his unusual New Year’s resolution
From issue 246 Opinion
Kenn Taylor examines the unsavoury side of arts media coverage in regional Britain
From issue 246
The Festival City Theatres Trust, which runs the Festival and King’s Theatres in Edinburgh, has appointed DUNCAN HENDRY as its new Chief Executive. Since 2004 he has been Chief Executive of...
From issue 246 Opinion
Liz Hill reflects on internships and volunteering
From issue 246 Feature
Jenny Williams says it’s time to stop ‘parachuting in’ arts projects to diverse communities and instead to support those communities to take the lead
From issue 246 Feature
Businesses where people look, sound and think the same are playing a high risk game, says Mark Robinson
From issue 246 Feature
Clarie Middleton says achieving diversity needs a holistic approach
From issue 246 Feature
Roger Tomlinson takes a snapshot of the wide range of options available these days to arts organisations that sell tickets
From issue 246 Feature
Monad Ticketing wants to make life as easy for box office staff as it does for customers
From issue 246 Feature
Louise Amery explains how Aberystwyth Arts Centre is working with online specialists Tincan and ticketing system supplier PatronBase to fully integrate its website, social media, e-marketing and online sales
From issue 246 Feature
Carol Jones explains how PatronBase has been helping Chapter Arts Centre to make the most of its points-based loyalty scheme
From issue 246 Feature
The Elgiva has found that IRIS’s ticketing and marketing systems enable the venue to enhance its technological capabilities in line with changing customer needs
From issue 246 Feature
Cloud computing needs no hardware investment and enables you to pay as you go. Sounds too good to be true? It is a real option, and Tickethour is the latest kid on the block
From issue 246 Feature
Wales Millennium Centre is at the hub of a network that shares Tessitura’s state-of-the-art software. David Pearce explains the benefits
From issue 246 Feature
Gary Halliday explains how the Firechaser user forum is enabling Southbank Centre to save money and improve the quality of what it delivers online
From issue 246 Feature
Colston Hall has tested out Purple Seven’s Balanced Database approach to target marketing – and the results are very promising. Sarah Robertson explains
From issue 246 Feature
Kath Mainland explains how its ticketing partner, Red61, has enabled Edinburgh Festival Fringe to solve its perennial queuing problems
From issue 246 Feature
Beth Aplin gives advice on choosing and working with website developers
From issue 246 Feature
With tickets being sold at 39 theatres, ATG needs a system that will respond to customers across the UK. AudienceView is making it happen
From issue 246 Feature
Laurence Miller tells how Nimax Theatres has been working with Enta to improve its sales to the elusive visitor market

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