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A yes/no referendum on museum free entry would be a terrible idea, so why did the Government think it was an acceptable way of deciding whether we stay in or leave the EU, asks Liz Hill.
Achieving greater diversity in the arts isn’t rocket science, says Ammo Talwar, but it is time for big actions.
Paul Collard finds the book about teaching artists as agents of change comprehensive and useful.
After being met by a sea of white faces at a recent industry event, Rebbecca Hemmings says it’s time for Birmingham’s arts sector to face up to its diversity crisis.
Following shocking access at the Theatre 2016 conference, Andrew Miller asks: is this why so few disabled people work in theatre?
Mhora Samuel responds to Angus MacKechnie’s call for theatres to be shared with the communities that surround them.
Robin Simpson responds to Liz Hill’s call for a new approach to audience development in the arts.
As Sport England celebrates the impact of its ‘This Girl Can’ advertising campaign, is it time for the arts to come up with a new approach to audience development? Liz Hill examines the evidence.
ArtsProfessional’s recent revelations about Culture Counts and Quality Metrics prompt Richard Fletcher to question how we manage information in the arts. Is it time to speak up about what we want and need?
Institutional favouritism lies at the heart of Arts Council England’s funding framework, and ACE does itself no favours by trying to defend the indefensible, says Liz Hill.