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John Mathers warns that without brand ‘management’, the creative and cultural sectors could see themselves going the way of the Brazilian football team.
Alan Cleaver responds to ArtsProfessional's revelation that Arts Council England used more than £10m of spare capital funds to pay off the debts of five London-based organisations.
The leader of one of England’s National Portfolio Organisations speaks out about transparency, whistle-blowing, the curse of arts buildings, and why artists feel disenfranchised from the arts funding system.
The arts and the other creative industries may not always make comfortable bedfellows, but there are enough good reasons for them to sleep together, says Liz Hill.
Liz Hill reflects on a Warwick Commission debate which revealed the enthusiasm of the creative industries for better creative and cultural education in schools – and the barriers to making it happen.
Are you up to the challenge? Vicky Prior says there’s much to learn from Max Stafford-Clark’s journal from the years following the cuts.
The authors write “with passion and authority”, making this book relevant to a wider readership than the title suggests, finds Julia Ient.
Liz Hill tells the Culture Media and Sport Select Committee why she believes ACE can’t be trusted with the task of Rebalancing our Cultural Capital.
Liz Hill concludes that Arts Council England’s ‘This England’ report is based on a carefully constructed analysis designed to disguise a London-centric funding strategy and preserve the status quo.
Cara Courage says ‘Art Cities of the Future’ only scratches the surface of new arts locations, but is still a comprehensive compendium to the new wave.