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Is an arts organisation dedicated to LGBT issues still necessary or even relevant? Yes, says Neil Anderson, so long as it moves with the times.
The 2008 crash shook Ali Pretty’s outdoor arts company hard. But after a bold decision to split the organisation in two, it’s now doing better than ever.
Unless arts organisations make their voices heard in the Government's Gift Aid consultation, the sector could shortly be facing a whole new set of challenges, says Philip Spedding.
Are you familiar with Arts Council England’s self-evaluation framework? Probably not, says Mandy Barnett, but a new version aims to be simpler and more relevant, and to empower the arts to explain its value with tenacity.
After collecting more than 100,000 survey responses, Leo Sharrock and Helen Palmer can reveal the main reason people attend the arts.