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Zoë Briggs discusses different ways that the theatre industry is training and supporting young people at the start of their career.
What are the implications for arts organisations engaging in ‘non-primary purpose trading’, such as hiring out a room? Sean Egan gives an overview.
The Royal Opera House has been sharpening its commercial agenda over recent years. Alastair Roberts describes how it has developed its brand licensing and media activities.
A Charity Commission report recently revealed that the average trustee is white, male and aged 57. To coincide with Trustees’ Week, Neal Green urges everyone to find out more about sitting on an arts board.
How much has the arts marketing role changed in the last twenty years? Strikingly, says Sarah Chambers, who examines what is now required to market culture.