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International touring has given Motionhouse greater confidence and is a crucial element in the company's plans for the future. Louise Richards explains why she plans ahead - and is ready for surprises.
Tatiana Rais tells how she has brought back to life an abandoned theatre in the centre of Bogotá.
Applying for Creative Europe funding for a Cooperation Project requires real commitment and many hours devoted to completing the application form, warns Lorraine von Gehlen.
Moving her artist management company to Berlin has allowed Natalie Richardson to work among like-minded experimental artists.
Having worked in children’s arts and health in a London hospital, Victoria Jones, now in Melbourne in Australia, compares the respective creative programmes.