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Christoph Jankowski introduces Creative Europe, the new EU funding progamme for the cultural and creative sectors.
Chris Bannerman tells how he reluctantly became a key driver in a complex collaboration involving choreographers, dancers and academics from the UK, China and Taiwan.
Working in partnership with a Ugandan arts organisation has been a fraught experience (an understatement) for Blackpool’s TramShed, but as Zac Hackett and Marge Ainsley report, they are not giving up.
Mark Fisher charts the global success of ‘Made in Scotland’, the programme which showcases dance and theatre companies at the Edinburgh Festival Fringe.
In a relatively buoyant global art scene, Mauro Herlitzka looks at the increasing interest in Latin American art, aided by an acquisition programme for UK galleries.