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Tatiana Rais tells how she has brought back to life an abandoned theatre in the centre of Bogotá.
Applying for Creative Europe funding for a Cooperation Project requires real commitment and many hours devoted to completing the application form, warns Lorraine von Gehlen.
Moving her artist management company to Berlin has allowed Natalie Richardson to work among like-minded experimental artists.
Having worked in children’s arts and health in a London hospital, Victoria Jones, now in Melbourne in Australia, compares the respective creative programmes.
As one of the oldest cultural networks in Europe, the European Festivals Association’s mission has always been centred around artistic quality and long-term impact, says Kathrin Deventer.