From issue 280
The new Principal and Artistic Director of the Rambert School of Ballet and Contemporary Dance is AMANDA BRITTON, who is currently Deputy Principal and Head of Undergraduate Academy Study.
From issue 280
MATTHEW COCK has been appointed as the new Chief Executive of VocalEyes, the national body promoting access to the arts for blind and partially sighted people, following the retirement of JUDY DIXEY...
From issue 280
Music educator, performer and promoter TOM KERSTENS is the new CEO for Newham Music Hub. He replaces PHIL CASTANG, who moved to Bristol’s music education hub.
From issue 280
ALEX SAINSBURY, Director of Raven Row exhibition centre, has been appointed as the new Chair of the Board of Trustees at the Whitechapel Gallery.
From issue 280
PEGAH FARAHMAND has been appointed to the newly created role of Editor, Random Acts at Channel 4. She leaves Vice Media where she was most recently Senior Creative Producer.
From issue 280
Director of Artistic Administration for Garsington Opera, SUSAN HAMILTON is stepping down after 11 years with the company. She is replaced by LAURA CANNING, who joins from Houston Grand Opera, Texas...
From issue 280
Exeter Northcott Theatre has appointed director and producer PAUL JEPSON as its new Artistic and Executive Director.
From issue 280
The Fal River Festival has appointed ANNA DRUCE as Creative Director for its 10th annual festival. Anna joins the team from her position as Festival and Events Coordinator at Visit Cornwall.
From issue 280
Oxford’s Pegasus Theatre has appointed KATE WHITING as General Manager. She leaves The Old Town Hall in Hemel Hempstead where she has been Assistant Manager.
From issue 280
OLIVIA CHAPMAN is leaving New Writing North, where she has been Communications Manager for seven years, to take up the post of PR and Communications Manager at Writing West Midlands.
From issue 280
Chair of Pound Arts Trust, DAVID JONES is stepping down after six years. He is replaced by SUE HALL, who has a background as a Chartered Management Accountant and is Director of Resources at Avon...
From issue 280
Arts Alliance, producers of ‘event’ cinema, have appointed ROSS FITZSIMONS, the current Head of Art & Classical, as Head of Sales & Marketing.
Plans for the revival of Blackpool's Pavilion Theatre, which is currently on the Theatres Trust's Buildings at Risk Register, will see it developed into a museum of the town’s social...
The creative industries were worth £76.9 billion to the UK economy in 2012/13, according to the latest DCMS figures. The 10% growth was three times that of the wider UK economy.
From issue 280
Reversing the long-term US trend of falling arts attendance is going to take a lot bigger thinking than is generally taking place, says Alexander Forbes.
Consistently poor ratings of the quality of feedback given to students on fine art and design degrees may be due to "unconscious bias" in the research method used to measure student...
From issue 280
Book review
Chris Bailey reviews Robert Hewison’s account of how New Labour’s golden age for the arts turned to lead.
The theatre has been given an emergency grant of £250k by Arts Council England (ACE), meaning it has received eight bail-outs totalling more than £1.75m since 2011. Its regular ACE...
The Houses of Commons and Lords have failed to reach a consensus on changes to the Consumer Rights Bill that aim to impose new controls on websites re-selling tickets for theatre, live music and...
Brighton and Hove Council has proposed a £5 entry fee for non-residents, despite predictions that this would cause visitor numbers to halve and negatively affect other income streams, such as...
Councillors have commissioned a detailed design and plan for an arts and cultural hub in the People’s Market in Wrexham town centre.
From issue 280
Feature
A number of challenges face arts and cultural organisations trying to show their impact on public service outcomes. Jessica Harris examines the types of evidence that commissioners want and looks at ways in which arts and cultural organisations have risen to the challenge of providing it.
From issue 280
The financial case for a new theatre for Exeter just doesn't stack up says Paul Bull, theatre practitioner and Labour and Co-operative Councillor for Cowick.
From issue 280
With the arts becoming ever more central to the notion of a world-class city, and the completion of Crossrail imminent, the time is right for the City of London to improve its cultural infrastructure, says Nicholas Kenyon.
From issue 280
A young quartet scheme called 'Bridge' has been launched in response to a perception that there is a lack of support for young professional musicians on the thresholds of their careers. Peter Cropper describes the initiative.