9th April 2015
Creating a network of ambassadors to promote culture and creativity in schools in the north east of England has been a bigger and more complex job than Ednie Wilson first anticipated.
1st April 2015
Stage One’s training and support helped Tracey Childs become a theatre producer and is doing the same for apprentice producers at a number of UK theatres.
31st March 2015
By bringing the findings of academic research into the wider cultural sector, CultureCase is providing the evidence that helps arts professionals make a stronger case for support. James Doeser looks back on the impact of its first year.
For the London International Festival of Theatre customer data is power. Libby Penn describes how taking control over ticketing and audience data was like opening a treasure trove for the London International Festival of Theatre.
26th March 2015
Amy Golding and Kay Hepplewhite report on recent research to find out what a vibrant fringe theatre scene needs.