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The National Portrait Gallery’s ticketed exhibitions have been poorly attended despite critical acclaim, suggesting that the public is less committed to contemporary art than the critics, writes Ben Luke.

The debacle around the counting of the National Portrait Gallery’s visitors means that the institution’s attendance figures are not as dire as first thought. But the gallery’s exhibition figures for last year and the first part of 2018—which are not in dispute, because they are ticketed and thus use a different system—will no doub... Keep reading on The Art Newspaper