Theatre remains inherently anti-working class because many arts venues are concerned only with demonstrating ‘visible’ diversity, writes Adam Hughes.
There’s been quite a few articles recently about the dearth of working class artists in theatre (mainly written by middle class writers, for publications with a large middle class readership). And while plenty of interesting points have been raised, the overarching theme seems to be how difficult it is to carve out a career if you don’t have the brass. This is, if you’ll excus... Keep reading on Exeunt
There’s been quite a few articles recently about the dearth of working class artists in theatre (mainly written by middle class writers, for publications with a large middle class readership). And while plenty of interesting points have been raised, the overarching theme seems to be how difficult it is to carve out a career if you don’t have the brass. This is, if you’ll excus... Keep reading on Exeunt