Artist development can’t happen if theatres are eternally obsessed with the next big thing instead of supporting and sustaining existing talent, says Lyn Gardner.
This week, hundreds of young companies and artists head to the Edinburgh fringe, full of excitement and hope. Many will be graduate companies emerging from the cocoon of college with their first piece of work; some will be returning for a second or third time, hoping that against the odds and in spite of spiralling costs this will be the year that puts them on the radar and helps them make those all-important industry contacts.
For the fringe in August is... Keep reading on The Guardian
This week, hundreds of young companies and artists head to the Edinburgh fringe, full of excitement and hope. Many will be graduate companies emerging from the cocoon of college with their first piece of work; some will be returning for a second or third time, hoping that against the odds and in spite of spiralling costs this will be the year that puts them on the radar and helps them make those all-important industry contacts.
For the fringe in August is... Keep reading on The Guardian