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Mirga Gražinytė-Tyla, the superstar conductor at the City of Birmingham Symphony Orchestra, is a force of reckless positivism who has made all things possible for women on the podium, writes Norman Lebrecht.

Change is coming — gender change. Half of England’s orchestras and opera houses are looking for a music director. Vladimir Jurowski and Esa-Pekka Salonen are leaving the London Philharmonic and the Philharmonia. Antonio Pappano has served notice on Covent Garden. Opera North is headless. Vasily Petrenko is stepping down at the Royal Liverpool Phil and Mark Elder has supposedly renewed for the last time at the Hallé... Keep reading on Standpoint

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