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A US-wide project committing theatres to diversity ahead of President Trump’s inauguration has failed to deliver, or to hold itself accountable, writes Daniel Park.

When I first read about the Ghostlight Project, my immediate thought was, “This is some safety-pin bullshit designed to make white people feel like they’ve done something when they haven’t done anything.” I was surprised to see that many people of color (PoC) were project originators, and not surprised when the majority of faces posting Ghostlight selfies were white... Keep reading on Broadstreet Review

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