Older people want to be part of an intergenerational community not a ‘crinklies camp’. Stephanie Fuller shares this and other tips on how to reach out to older audiences.
Making a name for yourself on the critic circuit is no simple task – and getting off the ground can be the hardest part of all – but Carl Woodward has some practical advice on how to do just that.
Jessica Bowles took students from The Royal Central School of Speech and Drama to curate the Prague Quadrennial's SpaceLab - and found their theatrical assumptions happily challenged.
Working with partner universities in Barcelona and Warsaw proved to Janet Hetherington that practical training is key to a rich, collaborative learning environment.
Arts fundraising is in an exciting state of flux and Ben Walmsley is confident that the next generation will be steering cultural change in the sector.
How do arts organisations attract donations from wealthy entrepreneurs? One of them, Mahdi Yahya, offers his tips on how to approach and involve others just like him.
When will all commissioners recognise that activities like dancing and singing help maintain older people’s quality of life and independence, asks Jessica Harris.
Public sector finances are not going to change any time soon, so we need to act to make sure efforts to bring arts and culture to those who don’t currently engage isn’t pushed off the agenda, says Jane Wilson.
Do potential donors really understand the value of small-scale touring theatre? Joanna Ridout considers how the sector might better articulate its value.
The 2008 crash shook Ali Pretty’s outdoor arts company hard. But after a bold decision to split the organisation in two, it’s now doing better than ever.
