Andrew Miller, a regular visitor to the Edinburgh Festival Fringe, shares his shocking experiences of inaccessible venues, poor seats and the city’s precarious pavements.
Is segmentation really the key to inclusivity and resilience? Oliver Mantell demonstrates how bespoke and off-the-shelf tools can help develop approaches for multiple audiences.
Félicie Kertudo tells how she visited the South London Gallery to find out more about how it involves the local community in a range of inclusive projects.
While the EBacc may be causing concern for the status of the arts in UK schools, there are opportunities to ensure creativity is at the heart of education in lower-income countries around the world. Joe Hallgarten makes the case.
Many professionals have reservations about online learning courses, but new developments are making them an appealing alternative for time- and cash-strapped arts workers, argue Michelle Wright and Ben Walmsley.
The growth of the cultural and creative industries may be strong, but there are still questions regarding productivity and performance among smaller organisations. Nick Henry is optimistic that things will soon change.
As more and more local authorities reduce funding and staffing for the arts, how can we ensure they have the capacity to fulfil their cultural responsibilities? Jane Wilson shares her thoughts.
Junior arts workers are often the most in touch with audiences, but can struggle to make their voices and ideas heard. Laraine Penson offers some tips for communicating more effectively - and explains why management should listen.
Resilient leadership is vital in music education hubs, where a culture of shared purpose is at the heart of everything they do. Sue Hoyle and Mark Robinson explain what this involves.
How can festivals promote a zero-tolerance approach to crime, including sexual assault, and what can be done if incidents do occur? Renae Brown shares some advice.
Why do boys tend to give up dance classes when they reach their teens? Kate Laho and Natalie Holasz discuss the findings of a recent survey conducted by The Place.
Fresh from her participation in a creative climate leadership course, Harpreet Kaur discusses how the arts have a critical role to play in the climate change debate.
Making it to the top in the arts world requires confidence and clarity in your goals. If you’re lacking either, coaching sessions may help, writes Steph Vidal-Hall.
Programming both Cantonese and western opera, the Hong Kong Arts Festival has a challenge when it comes to audience development. Tisa Ho shares her strategy.
