Oldham Coliseum’s new extension will provide access for everyone to future-proof itself in a borough that is home to many people with disabilities, writes Kevin Shaw.
Why do we talk about organisational change as if there are right and wrong answers? David Jubb discusses how the Scratch collaborative process for theatre production is also a powerful tool for organisational development.
Every child in the last year of primary school in the London borough of Newham has the opportunity to see world-class theatre for free. Becky Lees explains how the scheme has established itself.
The Canterbury Heritage Museum has attracted fewer and fewer visitors in recent years, but a rescue plan involving the Marlowe Theatre is set to revitalise it. Janice McGuinness tells the story.
Constructing The Bridge Theatre from scratch has allowed the team to implement new box office technology and e-commerce best practice from inside the arts and beyond. Libby Penn tells the story.
From a member of Haymarket Theatre’s youth theatre to Artistic Director of The Dukes, Lancaster, Sarah Punshon reveals the details of her career so far.
Systemic failures in recruitment and professional development are leading to skills shortages and a damaging lack of diversity among theatre workers, according to a new report.
Bedside theatre performances in hospitals are helping children escape from stress and anxiety. Persephone Sextou explains the work of a scheme currently operating in the Midlands.
Millions of tourists flock to see Shakespeare’s England, but they don’t all have time to catch a play. Geraldine Collinge explains how the RSC has extended its offer beyond theatre.
Fundraising from trusts and foundations is a more sociable job than you might think. Development Manager Gina Fletcher takes us through the steps of her rewarding career.
