Over 70% of respondents now working in music, the visual arts or museums/heritage come from households where the main income earner worked in a professional or senior managerial occupation.
When invited to carry out a creative evaluation of the first three years of Creative People and Places, Sarah Butler decided that the best approach was to have fun.
The first piece of research from the AHRC-backed Policy and Evidence Centre says that creative attributes are a better predictor of growth than other transferable skills.
The arts are important because they matter to us, and any attempts to further justify them lead to an impoverished and less human life, says Carter Gillies.
Funding from the Arts and Humanities Research Council will also support a new Policy and Evidence Centre, aiming to improve decision-making in the creative industries.
Arts organisations are under growing pressure to demonstrate social impact. Emma Taylor-Collins explains how they can gain robust, high quality evidence to measure their success.
By taking a robust approach to understanding the social class make-up of the workforce, the cultural sector can address entrenched inequalities. Dave O’Brien suggests a way forward.
Counting What Counts Ltd has won the £2.3m contract to deliver the quality measurement system that England’s larger arts organisations will use from October.
A research project examining Leicester’s 24 arts festivals uncovered interesting insights into audience behaviour and preferences. Richard Fletcher discusses the findings.
Many artists find it difficult to sustain their practice early on in their careers. Nicola Sim shares the findings of her research into how arts organisations and funders can best support them.
Senior arts researchers have hit back at a report implying knowledge gaps in key policy areas, saying it highlights the Department’s limited awareness of existing research literature and lack of institutional memory.
