As a performer, songwriter or producer are you receiving the royalties due to you? Keith Harris reports on the millions PPL collects from the licensing of recorded music in the UK and overseas.
In light of the current debate about ACE's distribution of funding, Carol Reid explains how the regional allocation formula built into Youth Music's grant-making process is leading to a more equitable balance across its portfolio.
Jessica Plant and Kate Davey argue that arts interventions in the criminal justice system have demonstrated positive outcomes, but longitudinal research is now needed.
Young musicians are benefiting from youth ensembles, but concerns are growing over their financial stability and the difficulty of recruiting musicians.
Huddersfield Contemporary Music Festival has an enviable international reputation but how does it go down with the locals? Sarah McWatt tells of activities and opportunities designed to reverse preconceptions.
Over half of respondents to the ‘Creating Without Conflict’ survey have been bullied, harassed or discriminated against while at work in the entertainment industry.
The Arts Alliance is warning that budget cuts and payment-by-results contracts in the criminal justice system could put some rehabilitation arts services at risk.
Individuals working as actors, singers or musicians will now pay Classes 2 and 4 National Insurance Contributions, aligned with other self-employed workers.
