Label boss Alya Marquardt reveals why she would persist with challenging music and learn to be happy in her own skin if she were at the start of her career once again.
Around 40,000 historic instruments, including the world’s only octave contrabass serpent, are to be made publicly available via the Royal College of Music’s new online database.
Programming a music festival with over 300 events can’t be easy, but Donald Shaw knows exactly how it’s done. He gives us the low-down and shares his top tips for making it as a programmer.
Struggling with a growing library of video files, London Symphony Orchestra urgently needed a new system. Chris Rogers explains why a web-based solution was ideal.
A pilot project in rural North Yorkshire believes it’s landed on an effective and affordable model for delivering music tuition to children in isolated areas.
Since Cornwall Council closed its schools music service, an independent service has emerged that is no longer at the mercy of politicians, writes Gareth Churcher.
Partnerships with local authories are crucial to Orchestras Live’s work. Henry Little reveals how they’ve maintained relationships through challenging economic times.
