Scottish Ballet’s first digital season gave the company the opportunity to experiment with new technologies, but would audiences like it? Charlotte Gross tells the story.
Why do boys tend to give up dance classes when they reach their teens? Kate Laho and Natalie Holasz discuss the findings of a recent survey conducted by The Place.
A European Union-funded dance project won ‘success story’ status from a panel of experts for its impact, creative approach and the inspiration it gave others. Carole Blade tells the story.
When choreographing a new contemporary dance work for young people, Rosie Kay committed to really listening to their concerns and beliefs – and it took the work in a surprising new direction.
1,000 older people will benefit from the extension of a ‘Dance to Health’ programme involving arts partners including Yorkshire Dance and Birmingham Royal Ballet.
Digital platforms enhance audience engagement in museums and galleries but can the same be done in the performing arts? Ben Walmsley discusses a research project in contemporary dance.
Hip hop theatre choreographers are too often seen as outreach workers rather than artists, but a new initiative is trying to change that. Lee Griffiths explains how.
After co-founding a successful dance company, Francesca Moseley reflects on her career as a producer, the support she has received and what it’s like to work freelance.
After updating its approach to data collection and sharing, Sadler’s Wells noticed a surge in email sign-ups for its visiting companies. Sebastian Cheswright Cater and Matt Kirby tell the story.
Many international dance companies tour the UK thanks to the Dance Consortium, but venues, young dancers and many others also benefit from its work. Ros Robins explains how.
An outdoor performance project featuring blind and visually impaired dancers and musicians has pulled passers-by into a world of ‘sonic vision’. Isabel Jones shares the effects on performers and audiences.
