Can and should museums be playful places? Anna Bunney and Charlotte Derry believe so and are on a mission to discover how best to create the right conditions for play.
For a week in October Rambert invited the public to view rehearsals and training, and take part in choreography and dance classes. Joce Giles judges it a success.
Un-ticketed venues and events can now gather data that will give them the level of customer insight that performing arts venues have long enjoyed through their box office systems. Hannah Mitchell explains how.
The Paul Hamlyn Foundation’s Awards for Artists scheme has just celebrated its twentieth year. Sarah Jane Dooley gives an insight into how the scheme works.
International touring has given Motionhouse greater confidence and is a crucial element in the company's plans for the future. Louise Richards explains why she plans ahead - and is ready for surprises.
Barry Pritchard says that new arts buildings must be inclusive, exciting and adaptable if they are to widen engagement and genuinely regenerate a town or city centre.
The Stirling Prize-winning building is described as “a ground-breaking example of how to build a daring bold and highly sustainable large public building in a historic city centre”.
How can the arts, and ballet in particular, show that they represent value for money? David Jays compares a trip to the theatre or ballet with some similarly prestigious events.
The contribution that the cultural sector can make to the planning, design and animation of the public realm and architecture should be reinforced, according to an independent review commissioned by the Culture Minister.
Audiences draw limited distinctions between subsidised, commercial and amateur theatre and dance performances, according to new research investigating perceptions of cultural value.
A pioneering collaboration between the city, performers, the MU and local businesses has led to new policy and guidelines aimed at making the most of street entertainment.
Jane Greenfield, Director of Home Live Art, shares the details of her career in dance, landscape and heritage, and the benefits of daring to be different.
Art won’t look after itself
As the Lords debate shines a spotlight on the Government’s support of artists, Susan Jones reviews the current situation.