News
Asbestos will be removed, the stage will be given a new safety curtain and repairs will be made to the building as part of a Liverpool City Council investment, which will see the venue close until...
News
The national funder is told to focus on financial resilience, transparency and digital engagement in the first review for seven years.
Paul Hamlyn Foundation’s Moira Sinclair argues that a resilient arts organisation starts not with a robust business model, but a really clear sense of what you are there to do.
The subjects in the BP portrait award shortlist may all be female, but this is no “all-female line-up”, says Marisa Bate. All three painters are men – and dressing up sexism in this way must not be deemed progress.
Esme Ward visits the European Solidarity Centre, Gdansk, and reports on a museum / archive / library / Trade Union HQ which has much to teach the UK about civic engagement and action.
Developers have realised that creating cultural spaces in new apartment blocks helps them sell homes and create communities. Nicola Venning tracks the trend across properties in the capital.
How will record shops, digital music and royalties be affected by the UK’s departure from the European Union? The BBC’s Robert Plummer profiles an industry ‘braced for Brexit’.
A US-wide project committing theatres to diversity ahead of President Trump’s inauguration has failed to deliver, or to hold itself accountable, writes Daniel Park.
News
(IN DANISH) Five district orchestras in the west of the country will receive an additional one million kroner (£120k) funding each by 2021, which will be taken from Copenhagen Philharmonic, the...
News
(IN GERMAN) €7m is destined for the Berlin Philharmonic, and increases are expected for other orchestras, as the city reassesses a ten-year contract detailing which organisations receive arts...
News
The Creative Society’s ‘Creative Job Studio’, to be based at Somerset House in London, will focus on unemployed people aged 18 – 24 and support them to break into the creative...
Case study
Wolverhampton’s Grand Theatre is a listed building but its front-of-house areas were in need of a facelift. Adrian Jackson explains how making the theatre more welcoming also made the bars more profitable.
Case study
Presenting social issue dramas and storytelling events in a pub in Newport is reaching audiences looking for entertainment rather than art. Julie Benson tells the story.
Feature
Brewery Arts Centre increased its charitable income from box office donations by more than 40% when it approached customers at the point of sale. Libby Penn explains how this was achieved.
Arts People
Loading in, rigging lights, festivals, then a Friday pint - all in a week's work for Mitch Hargreaves, Senior Technician at Battersea Arts Centre.
Feature
What should people working in the arts do to support writers in their early years? Steve Dearden, co-founder of the The Writing Squad, offers his thoughts.
News
The ‘Weston Loan Programme with Art Fund’, supported by Garfield Weston Foundation and the Art Fund, will help regional museums and galleries exhibit major art works from national...
News
Social enterprise BH Live, which runs events and hospitality services at venues in the south of England, has been selected to run the new Fairfield Halls when it reopens as a "cultural hub...
News
Five residents in luxury flats neighbouring Tate Modern have claimed a viewing platform, located in the gallery’s new extension, has created a state of “near constant surveillance”...
News
Entrepreneur Peter Dawe and festival organiser Mark Ringer are currently in discussion with the owners of the Broadway Theatre in Peterborough, Cambridgeshire, about taking over the venue.
News
London’s New Diorama Theatre has announced that ND2, a 4,000-square-metre space, will open from May. It will be a creative hub by day and an events space by night.
News
A new survey will inform how the Arts Council of Wales encourages the arts sector to make a greater contribution to health and wellbeing.
News
Young people in creative occupations are almost 50% more likely to have had a parent working in a professional position while growing up, new research has found.
Closing Inverleith House six months ago was a terrible mistake, and the Royal Botanic Garden Edinburgh must re-open it as permanent contemporary gallery, argues Neil Cooper.
Emma Rice, Artistic Director of Shakespeare’s Globe, pens a personal explanation of why she stood down just six months after joining the organisation, highlighting “the Board did not love me and respect me”.