Classical music inaccessible to less affluent families

17 Nov 2021

A three-year research project aims to improve diversity in classical music, where women remain underrepresented in top roles and 95% of orchestral musicians are white.

Captions speak louder

Lost Kingdom of South America at British Museum
17 Nov 2021

As part of Captioning Awareness Week, Melanie Sharpe is campaigning to raise awareness of access to the arts for deaf, defeaned and hard of hearing audiences. 

Manchester Museum to pilot poverty awareness training

16 Nov 2021

Manchester Museum staff will be trained as social justice researchers for a pilot addressing understanding of poverty and disadvantage.

Led by University of Manchester researchers, Local Matters will explore local and national poverty and use its findings to influence museum practice and policy.

“Too often policy makers and practitioners see poverty as having a simple beginning, middle and end. It is viewed as something that can be fixed if we all just 'do better,'” research fellow Carl Emery explained.

The museum will then make decisions with social justice, poverty and disadvantage in mind, according to Director Esme Ward.

Manchester Museum is currently closed whilst work on the final phase of its £13.5m restoration is completed. It is expected to reopen next year.

Barbican pledges diversity targets to address racist culture

11 Nov 2021

A third of claims made against the institution related to racism, but "very few" people of colour were interviewed by lawyers as distrust of the directorate marred the investigation. 

£800k for visual arts projects addressing racial inequality

11 Nov 2021

Freelands Foundation has awarded £800,000 to two projects addressing racial inequality in the visual arts.

Wysing Arts Centre’s Syllabus artist development programme has received £500,000 to support it over the next decade. 

Every year, the project offers 10 artists from diverse and underrepresented backgrounds mentoring, artistic development and peer networking to create pathways into the sector.

University of the Arts London's (UAL) Decolonising Arts Institute will receive £300,000 towards its three-year 20/20 programme, which places 20 Black and Brown artists in residencies across the UK.

Since 2020, Freelands Foundation has awarded over £2m to organisations boosting opportunities for Black and Brown artists.

“These two new grants are a landmark in terms of our continuing commitment to addressing racial inequality throughout the visual arts,” said Diversity Action Group Chair Sonita Alleyne.

National Gallery finds historical connections to slavery

09 Nov 2021

Sixty-seven individuals associated with the National Gallery's history had connections to slavery and abolition, research has found.

Launched in 2018, the gallery's project is reviewing whether its historical collectors, trustees, donors, painters and founders benefited from the slave trade, or had links to slavery and the abolitionist movement.

It has covered years 1824 to 1880 thus far, finding a further 79 individuals with no relation to slavery or abolition.

The work is a collaboration with University College London’s Centre for the Study of the Legacies of British Slavery, who are creating an online archive to present the data.

Work has begun on the project’s third phase, covering years 1880 to 1920, before a final phase investigating picture owners from 1640 is launched. 

Museums Association releases decolonisation guidance

08 Nov 2021

Museums should be brave, accountable and "aim for justice" in decolonising their practices and collections.

The Museums Association (MA) has released Supporting Decolonisation in Museums, offering ten guiding principles and advice on how to reach these objectives.

The association says statues and the names of buildings, streets, and galleries "send a clear message of whose presence is considered important and whose is not".

"Although this issue can cause controversy and debate in the media, it is an important part of decolonising work.

"Decolonising museums requires creating spaces that no longer celebrate historic and ongoing acts of colonial violence, whether through removing names, removing or recontextualizing statues, or commissioning artists to engage critically with this inheritance." 

The guidance was produced by MA’s Decolonisation Guidance Working Group, established following a 2019 report into the growing field.

Group Chair Rachael Minnot said working group members "challenged one another" throughout the process.

"I’m excited to keep learning and growing with the wider sector as they engage with this tool."

Whose ‘lived experience’ matters most?

Lived experience graphic
04 Nov 2021

A new strand of political correctness is reshaping conversations on race: the idea of ‘lived experience’ driving the debate. While the intention is good, Kevin Osborne argues it throws up new questions.

Creating safe and inclusive workspaces in theatre

Mercury Theatre
04 Nov 2021

As a new code of conduct is launched for the theatre industry, Sebastian Cheswright Cater makes the case for the journey the sector needs to go on to make meaningful change. 

Old Vic pulls play over director’s involvement

03 Nov 2021

London’s Old Vic has decided not to stage a new production of Into The Woods, due to the involvement of co-director Terry Gilliam.

The theatre told The Stage its staff and freelancers had shown dissatisfaction at Gillam’s involvement since the production was announced in May

A number of public statements made by Gilliam on trans rights, the MeToo movement and race have made the Monty Python actor a controversial figure.

It is understood that the theatre’s management held a meeting with the play’s producers after younger staff members raised concerns over hosting Gillam’s productions, saying his comments contradict the values of the theatre.

Members of Old Vic 12, a group of young producers and directors, have since taken to Twitter to say the production should have been cancelled "a long time ago".

“Good. It should have been cancelled over a year ago. And the leadership at the Old Vic owe many of us an apology for the awful, awful way this was handled,” said Penny Babakhani.

Theatre bodies update anti-discrimination principles

01 Nov 2021

UK Theatre and Society of London Theatre (SOLT) have updated their ten principles for creating safe and inclusive working spaces in theatre.

First launched in 2017, the principles were created largely in response to the #MeToo movement.

They have now been updated to cover discrimination across all protected characteristics, asking theatres to prevent racism and all other forms of discrimination and bias.

Head of UK Theatre and Workforce Development Sebastian Cater says the pandemic has provided an opportunity to examine old practices and create a more inclusive culture in theatres.

“It’s so encouraging to have the support of our members and boards as well as the main unions and trade bodies in disseminating and upholding the new Principles. Together we can make them become industry standard.”

Stories of racism at the Barbican 'ring true', Gompertz says

25 Oct 2021

Stories of institutional racism at the Barbican Centre "ring true to me", Will Gompertz has said.

The Interim Managing Director, promoted following Nicholas Kenyon's resignation in June, told The Times he'd heard similar accounts to those published in Barbican Stories during his time at the BBC.

“It’s been clear to me for years that the subsidised arts didn’t really reflect the communities they said they were serving. I did several reports for the BBC on that and spoke to practitioners of colour who said the game was rigged.

"The arts have been too slow to respond to how the world is changing, too slow to open up and include. They have been good at the rhetoric but not good at the delivery.”

Gompertz is now charged with making that change at the Barbican. He rejected reports of a toxic atmosphere causing mass resignations in recent months.

"The Barbican is full of dedicated staff who care deeply about the place.”

A review into the centre's culture and practices is under way.

Khan invests £1m to diversify London’s public spaces

21 Oct 2021

A new fund to improve the diversity of London’s public spaces has been announced by London Mayor Sadiq Khan.

Untold Stories will offer community-led organisations between £1,000 and £25,000 to develop new murals, street art, street names and programmes.

Recent research into London’s sculptures found huge gaps in representation. More than a fifth of London's statues are dedicated to named men, whilst only 4% are dedicated to named women. Just three of almost 1500 public monuments depict named women of colour.

Khan said London’s statues, street names and buildings have shown a limited perspective of the city’s history for “far too long”.

“I’m determined to do everything I can to ensure our public realm presents a more complete picture of everyone who has made London the incredible city it is today.”

Untold Stories opened its first application round Thursday (October 21), with a deadline of January 12.

Design chosen for National Windrush Monument

19 Oct 2021

The Windrush Commemoration Committee has selected Basil Watson’s design to stand as the National Windrush Monument.

Watson’s entry, chosen from a shortlist of four, depicts a man, woman and child climbing a mountain of suitcases hand-in-hand to demonstrate "the inseparable bond of the Windrush pioneers".

The committee said it received the most positive feedback from online survey and focus groups.

"I look forward to bringing my design to life, because I know how much this means to the Windrush community," said Watson, whose parents were part of the Windrush generation.

The monument, which will stand at London Waterloo station, is expected to be unveiled on Windrush Day 2022 (June 22).

'Break glass' campaign highlights inequalities in the arts

14 Oct 2021

A giant box bearing the slogan "break in case of arts emergency" has appeared in London as part of a campaign highlighting inequalities in the arts.

The boxes showcase artworks by young people involved with charity Arts Emergency as well as statistics on the arts workforce. 'Break the glass' is a euphemism for joining the mentoring network.

Only 4.8% of people working in music or the visual or performing arts are from a Black, Asian or ethnic minority background and only 12% are working class, Arts Emergency reports.

The box has debuted at the Museum of London and will tour several local venues before arriving at Liverpool's World Museum in time for its 2022 launch event.

The campaign is supported by organisations including the BFI, Whitworth Gallery, Strawberries and Creem Festival and professional website Linkedin.

 

When boards go bad: how to take inclusive action

graphic of two characters arguing
13 Oct 2021

Over the past year, Amanda Parker has been privy to several board-level conflicts that she describes as nightmarish. Boards, she advises, need to ensure democratic processes support equitable redress. 

Culture Secretary's comments on class resonate with the sector

07 Oct 2021

Nadine Dorries courted controversy by saying you have to come from privilege to make it in the arts. Is she right? 

£2m ringfenced to invest in BAME creative businesses

07 Oct 2021

£2m of a £24m fund will be ringfenced to support Black, Asian and minority ethnic-led creative businesses.

Creative Growth Finance, a specialist lender for the creative industries, says businesses where the executive team is at least one third BAME will be eligible for support, as well as those that produce tools to improve the sector's inclusivity.

Chief Financial Officer Mehjabeen Patrick said the creative industries are pushing boundaries but that the products of creativity too rarely reflect the diversity of their creators.

"This is especially true at business leadership level, where opportunities for progression are, or appear, unattainable to many."

The Creative Growth Finance Debt Fund was established last year by Triodos Bank and Creative England.

Businesses must have an annual turnover of at least £300,000 to apply.

We need to talk about race

image of people with slogans over their mouths
06 Oct 2021

A reluctance to share opinions openly is a significant block to achieving racial equity. But as Kevin Osborne argues, without understanding prevailing attitudes to racial inequity we are unlikely to reach effective solutions.

Optimism with a side of caution

06 Oct 2021

Nadine Dorries is a gift horse the cultural sector shouldn't look in the mouth.

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