Fewer than three million visited Unboxed in person

22 Nov 2022

A £120m celebration of British creativity attracted a total of 2.8 million visitors, newly published audience data shows.

As well as 2.8 million people visiting free live events for the Unboxed festival, 13.5 million accessed digital and broadcast content and 1.7 million took part in learning, volunteer and community participation activities, organisers claim.

The headline figure includes the television audience of a special edition of the BBC programme Countryfile broadcast last month, which featured a 15-minute segment of content created by Unboxed.

The figures fall significantly short of a “stretch target” of 66 million set by the festival’s chief creative officer, Martin Green, who recently left Unboxed to run next year’s Eurovision song contest in Liverpool.

The National Audit Office is currently conducting an official probe into the value for money provided by the government-funded festival - widely dubbed 'The Festival of Brexit' - following a critical report by the DCMS Select Committee which concluded that the investment was "an irresponsible use of public money".

Stuart Andrew, the Minister for Sport, Tourism and Civil Society, said the festival had “taken culture to the doorsteps of millions in communities right across the UK” and “inspired people who attended events, got involved online or watched on TV”.

Since February, 10 free Unboxed projects have opened across the UK. These include a decommissioned gas platform called See Monster in Weston-super-Mare and a trail through the solar system called Our Place in Space in Northern Ireland, Liverpool and Cambridge.

Arts sector unites in criticism of Autumn Statement

Chancellor Jeremy Hunt
21 Nov 2022

Arts professionals lament a missed opportunity as they are left disappointed by a lack of targeted support for the creative industries in last week's Autumn Statement. 

Headteachers 'fear arts and drama cuts' due to budget pressures

21 Nov 2022

Subjects including art, drama and design technology are in danger of being withdrawn in many state school schools due to financial constraints.

The Observer reports that headteachers are being forced into cutting expensive and less popular lessons to address crippling deficits.

With the vast majority of English state schools expected to be in the red by the next school year, thousands of schools are planning to make teachers and teaching assistants redundant or cut their hours, it said. 

In addition, unions and headteachers say schools may be forced to scrap courses that have smaller uptake, as they are less economical to teach.

Geoff Barton, General Secretary of the Association of School and College Leaders, said: “Subjects we have always seen as culturally really important will increasingly become the preserve of private schools because state schools can’t afford to teach them.”

George McMillan, Executive Principal at Harris Academy schools in Greenwich and Ockendon in Essex, said: “For A-level we are already in a position where to make subjects work financially you need at least 100 students in each year group. Anything that isn’t popular enough can’t run.”

Henley defends ACE funding decisions

16 Nov 2022

Amid protests against Arts Council England decision to cease funding a range of organisations through the National Portfolio, Chief Executive Darren Henley stresses the importance of 'taking culture where it hasn't been before'.

Peer-to-peer mentoring for digital

Woman sitting at a desk in front of a laptop
16 Nov 2022

Many organisations are feeling overwhelmed at the huge range of available digital opportunties. Rob Lindsay explores how mentoring can provide support to those in need of building digital confidence.

Time for a new pricing model? Part 2: Subscriptions

Netflix logo on multicoloured background
16 Nov 2022

In a time of rising inflation, affordability and accessibility are at the forefront of arts organisations’ minds. David Reece examines whether a Netflix-style subscription could be part of the solution? 

Germany to launch culture pass for young adults

16 Nov 2022

The German government is introducing cultural vouchers for young people early next year.

A pilot of the KulturPass, expected to cost the German government €100m, will see everyone who turns 18 in Germany next year receive a €200 voucher to spend on culture.

Recipients will be able to use the voucher over a two-year period. It will be managed through an app and website that advertises cultural offers ranging from books and records to concerts, theatre and museum visits.

Online and international platforms, including Amazon and Spotify, have been excluded from the scheme, to make sure recipients support local cultural providers.

According to the Germany Embassy in London, the scheme aims “to expose young people to the arts and provide a financial boost to the cultural sector”.

Germany’s Culture Minister Claudia Roth and Finance Minister Christian Lindner said the scheme would be extended to a wider age group if the pilot is successful.

Several European countries already administer cultural vouchers for young adults, including France, Italy and Spain.

NPO analysis: City of Culture bidders see funding uplifts

Bradford projected onto city building
14 Nov 2022

Most of the English towns and cities that applied to be the next UK City of Culture will see their amount of funding increase in the new NPO round. 

Culture workers protest against ACE funding cuts

14 Nov 2022

Culture workers are staging protests today (14 November) at Arts Council England (ACE) offices in Manchester and London, demanding the reversal of funding cuts to organisations across the country.

Organised by Equity, the performing arts and entertainment trade union, letters will be delivered to both ACE offices demanding the reversal of cuts.

Through ACE's Investment Programme for 2023-26 a total of 990 arts and culture organisations will make up the National Portfolio for the next three years receiving a total of £446m a year between them.

But as part of the government's levelling up agenda the Department for Digital, Culture, Media and Sport instructed ACE to ensure that more of the money it invests goes outside of the capital, with funding for London being cut by 15%. There were also cuts to funding for many organisations across the country.

Those affected include the English National Opera (ENO), Oldham Coliseum, Donmar Warehouse, The Watermill Theatre, Hampstead Theatre and the Gate Theatre.

Paul Fleming, Equity General Secretary, said: “Far from levelling up, these cuts are a nakedly political attack and only serve to make culture in the UK more elitist. 

"Funding has been taken away from organisations such as the ENO, the Gate Theatre and Donmar Warehouse which use union agreements, engage substantial numbers of members, and offer decent terms and conditions. 

"What’s more, the overwhelming majority of 100% cuts across the arts fall outside of London and include unjustified attacks on Oldham Coliseum and The Watermill in Newbury, to name just two, while culture funding as a whole is down 46% in real terms since 2005.

"We have told the Arts Council that any cut must not harm the workforce – if that can’t be done, it should be reversed. The arts are the lifeblood of our communities and local economies, and access to them across the UK does not exist without good, well-funded jobs and a diverse workforce.”

He said: “Oldham Coliseum Theatre is an important Greater Manchester institution, with a rich history dating back well over 100 years. We are working with Oldham Coliseum, Oldham Council and Arts Council England to see how we can get the best possible outcome for the theatre, its staff and communities the Coliseum serves.”

ACE hands audience data contract to consultancy firm PwC

10 Nov 2022

Arts Council England drops arts and culture research specialists The Audience Agency from sector support role, handing new contract for data insights to global consultancy firm PricewaterhouseCoopers.

Survey aims to identify key priorities for creative freelancers

10 Nov 2022

A new survey has been launched as part of efforts to improve conditions for creative freelancers.

The Redesigning Freelancing survey has been launched by creative industries network Creative UK working in partnership with nine combined local authorities in England.

Creative UK hopes to gather information that will help it address issues such as the economic uncertainty that comes with freelancing.

Caroline Norbury, CEO of Creative UK said that current difficulties “means we risk losing the next generation of creative freelancers – particularly those from underrepresented backgrounds”.

She added: “It is our collective responsibility to ensure more is done to protect our freelancers, integrate them with organisations in order to build better partnerships, and make sure there is a fair and equal playing field.

“This survey will help us to identify the key priorities that need action now.”

The survey can be completed here.  

Academics urge greater support for creative practitioners

09 Nov 2022

Policymakers should 'learn lessons from the pandemic' and intervene in four key areas to better support creative practitioners, researchers have said.

Ending ableism in the arts

Model of broken body on theatre stage
09 Nov 2022

There are many challenges facing disabled-led organisations and artists. Here Jo Verrent and Cat Sheridan share their expertise on how to tackle them.

Fresh delay for Creative Scotland's new funding framework

09 Nov 2022

Creative Scotland has announced a further delay to the introduction of its new Future Funding Framework, which is intended to replace its current funding approach for organisations.

Announcing the decision, it blamed financial challenges facing arts organisations, uncertainty around the funding it will get from the Scottish Government and "the realistic prospect of serious budget reductions" for the delay.

Introduction of the multi-year funding programme will be delayed by up to 12 months, with April 2025 the new date given for it being in place.  

It said that instead, a "refreshed Open Fund for organisations" will launch early 2023.  

Creative Scotland said that, "budgets permitting", funding for the current 120 Regularly Funded Organisations (RFOs) will continue at standstill levels for 2023/24 and 2024/25.

It added that there will be "ongoing flexibility" in the use of existing regular funding, plus "a possible short-term RFO supplementary fund using National Lottery resources (funds permitting)".

This supplementary funding for RFOs will be made available "as soon as is feasible" after the Scottish Government confirms Creative Scotland’s budget for 2023/24.

How many arts administrators does it take to change a lightbulb?

09 Nov 2022

A recent article* from academic and musician Thomas Wolf makes a strident argument that arts organisations employ too many administrators. Ash Mann disagrees.

NPO decisions: Changes in regional funding distribution

08 Nov 2022

The North of England and Midlands see notable increases, while London retains the largest share of the funding pot despite cuts.

NPO decisions: ENO 'baffled and shocked' by funding cut

08 Nov 2022

Arts Council England's plans to cut English National Opera funding and move organisation out of London have been described as 'an absolute travesty' by its chief executive, as petition to reverse the decision launches.

NPO decisions: ACE promises 'flexible' funding terms

Arts Council England Chief Executive Darren Henley
07 Nov 2022

As contractual negotiations over National Portfolio funding deals begin, Arts Council England suggests organisations may be required to do less for the money in light of cost-of-living pressures.

Levelling down London

Let's Create image
05 Nov 2022

The reallocation of such a significant slice of ACE funding away from the capital has caused shock. But it was always part of the Let's Create strategy.

NPO reaction: Sector responds to ACE’s new national portfolio

ACE NPO graphic with image of orchestra
04 Nov 2022

Arts Council England’s new national portfolio brings both relief and disappointment. Here's a taste of the sector's online reaction to the decisions.

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