A creative district with “creative exchange, cultural collaboration and learning at its core” will be developed to link key cultural venues in the heart of the City of London.
The Canterbury Heritage Museum has attracted fewer and fewer visitors in recent years, but a rescue plan involving the Marlowe Theatre is set to revitalise it. Janice McGuinness tells the story.
When the six counties in the north of Wales suddenly found themselves in competition with one another for funding, they decided to form a regional partnership and work together. Gwenno Eleri Jones tells the story.
Resilient leadership is vital in music education hubs, where a culture of shared purpose is at the heart of everything they do. Sue Hoyle and Mark Robinson explain what this involves.
Delivering training to creative businesses across Africa, the Pacific and the Caribbean has taught Visiting Arts the value of forming relationships face-to-face, says Sophia Victoria.
mac Birmingham’s outreach programmes are creating meaningful dialogue between the arts centre and local communities, artists and cultural organisations. Daniel Fountain spoke to those involved to find out how.
Millions of tourists flock to see Shakespeare’s England, but they don’t all have time to catch a play. Geraldine Collinge explains how the RSC has extended its offer beyond theatre.
A European Union-funded dance project won ‘success story’ status from a panel of experts for its impact, creative approach and the inspiration it gave others. Carole Blade tells the story.
What could two independent music practitioners achieve by starting international conversations about music-making with children with special needs? Tom Northey tells the story.
Sharing skills and resources is not just about altruism, it can unlock new sources of revenue for arts organisations. Benita Matofska shares five tips for getting started.
The EU-backed Theatron project is hoping to have its funding extended to launch a new network to continue connecting theatre professionals across Europe.
The Arts Council collaboration with Durham University will produce a report in Spring 2019, which will also consider arts in the curriculum and the role of the EBacc.
Many international dance companies tour the UK thanks to the Dance Consortium, but venues, young dancers and many others also benefit from its work. Ros Robins explains how.