MPs demand legislation to protect child performers

10 May 2022

DCMS Select Committee warns that regulatory gaps are leaving child performers at risk of exploitation.

Ukrainian art galleries partially reopen

10 May 2022

The Lviv National Art gallery has reopened some of its 18 branches in western Ukraine.

Gallery director Taras Voznyak says the decision is an act of resistance: “Putin now has the goal of turning Ukrainians into nobody, into nothing. In order to show that we are alive, we have opened several branches.”

The gallery boasts a 65,000-piece collection in total, displayed in palaces, castles and cathedrals across Lviv province.

The gallery’s most valuable artworks will remain in storage, but Vozynak has not ruled out opening the main gallery in the future. He is also planning online exhibitions, and exhibitions built underground, if funding is in place.

“Life does not stop,” Voznyak added.

DCMS opens £4m museums and galleries fund

10 May 2022

Applications are now open for the latest round of DCMS/Wolfson Fund for galleries and museums in England.

With £4m available in total, museums, galleries and museum services can submit bids of up to £300,000 for projects improving display and interpretation, visitor experience, access and environmental controls and conservation.

Institutions must be, or have previously been, members of an Arts Council England development scheme or sponsored by DCMS to be eligible.

DCMS and the Wolfson Fund have worked together for 20 years, delivering £48m across 400 projects at museums and galleries since the fund’s inception.

Full application details are available via the DCMS website. Applications will close 1 August, with the fund set to be shared out across two years.

Art Fund helps regional curators visit London Gallery Weekend

10 May 2022

Eighteen galleries across the UK have received support from the Art Fund to help curators visit London Gallery Weekend 2022.

The grants will go towards travel and accommodation costs for the event, which takes place this weekend (13-15 May).

The charity said it hopes the scheme will help create new and stronger connections between museums across the UK, London galleries and the artists they support.

Director Jenny Waldman said: “It felt like it was a really good moment to bring people back together.”

“The damage that has been done by the pandemic means that people have not been travelling to see work, travelling to meet each other.”

Orchestras fear updated touring provisions unworkable

a woman plays in an orchestra
10 May 2022

Dual registration for hauliers will offer visa-free touring for some, but problems persist for smaller-scale tours and orchestras with specialist equipment.

Cultural Investment Fund revived with £128m pot

09 May 2022

DCMS is reopening the Cultural Investment Fund with £128m available across three funding streams.

This latest round is made up of a £30.8m Cultural Development Fund, £20.5m Libraries Improvement Fund and a £60.3m Museum Estate and Development Fund.

It follows a previous round in March, when 63 organisations shared £48.1m.

First launched in 2019, the fund aims to improve accessibility of the arts and safeguard the future of locally-led cultural projects, museums and public libraries in England.

DCMS says support will be targeted to areas which have historically lower levels of cultural investment.

Organisations are now being encouraged to submit expressions of interest for the appropriate strand at Arts Council England’s website.

Mental health platform for musicians goes live

09 May 2022

A new digital mental health platform for musicians launches today (9 May) to coincide with Mental Health Awareness Week.

Music Minds Matter Explore, created by charity Help Musicians, offers mental health help and guidance and signposting to local and national support.

Help Musicians says the resource follows an increase in demand for mental health support from musicians in the wake of the pandemic. Calls to its Music Minds Matter phone service have increased by 34% since the start of the year.

“Sadly, two years of Covid have seriously disrupted careers and we would encourage anyone struggling to get in touch and find the support they need,” Head of Music Minds Matter Joe Hastings said.

Tate Modern scales back large exhibitions

09 May 2022

Tate Modern is cutting back on the number of works included in high-profile shows to reduce costs and carbon emissions.

Director Frances Morris says the gallery will continue to stage large exhibitions, but “in a very selective way”, and only in partnership with another large institution in a bid to save money.

“Concerns about cost - financial cost and cost to the planet - are absolutely reshaping our approach to borrowing works for exhibitions and the way we use our collection,” she said.

The gallery plans to put on more shows drawing on its own collection, much of which is conserved in storage.

“The number of loans from distant locations is [being] pared back to an absolute minimum,” Morris added.

Heritage sector ‘confident about future'

Barnard Castle in County Durham
09 May 2022

Survey finds positivity among organisations across Britain and confidence to weather possible future waves of Covid-19.

Government seeks 5% savings from major arts and culture institutions

06 May 2022

A government review of public bodies will consider whether they should be retained or abolished as well as seeking efficiency savings of at least 5%.

Citizens’ assembly demands culture-filled future for Coventry

members of Coventry's citizens’ assembly
06 May 2022

Recommendations including more public artworks and neighbourhood creative hubs aim to contribute to the City of Culture's legacy.

Theatr Clwyd refurb gets £3.3m boost

05 May 2022

Theatr Clwyd's ongoing refurbishment has been supported by a series of major private funders.

The theatre received £1.5m from The Moondance Foundation, £500,000 from The Wolfson Foundation, £500,000 from the Garfield Weston Foundation, as well as £500,000 from an anonymous local philanthropist, all to be put towards major works on its 46-year-old Grade II-listed building.

It also received £300,000 from the Esmée Fairbairn Foundation to continue community work during the build.

The donations follow a £22m pledge from the Welsh Government in March. The theatre has now received gifts exceeding the previous highest amount ever raised by a Welsh theatre.

Liam Evans-Ford, Theatr Clwyd’s Executive Director said: “When we started on this capital journey in 2017 we were told it was unlikely we would raise more than £2m of private investment for a theatre in Wales. 

"Due to the generous support of these lead funders we have already reached £3m. This is an empowering vote of confidence for Theatr Clwyd, our values, the quality of our theatre making, and our deeply important community work."

Equity claims 'landmark' holiday-pay ruling

05 May 2022

Performers' union Equity has hailed a "landmark victory" after an employment tribunal ruled that 16 of its members had a legal right to receive holiday pay.

In an action brought through the union after the 2018 pantomime season, the tribunal ruled that the members had a legal right to receive holiday pay from QDos, now known as Crossroads Pantomimes, after it was sold to the entertainment production group Crossroads Live last year.

Crossroads Pantomimes now has to agree to provide claimants with holiday pay for the affected productions or face a remedies hearing which will enforce a settlement. 

Equity General Secretary Paul Fleming, said: “The consequences of the bravery of the Equity members in this case will send ripples through the industry. 

"Crossroads through their predecessor QDos have for many years avoided industry standards and used their powerful position to deprive our members of the pay and terms and conditions which they are due, including through tactics which the judge referred to as having a ‘potentially chilling effect’. 

"A company as big and powerful as Crossroads should be using Equity collective agreements like the overwhelming majority of major commercial producers."

Creative apprenticeships drop to lowest level in a decade

05 May 2022

Sharp fall in creative apprenticeships prompts call for a "radical rethink" of career routes into the sector.

Ukrainian curator missing after museum looted

04 May 2022

A curator from the Southern Ukrainian city of Melitopol is missing after being abducted from her home at gunpoint by Russian forces.

Director of the Melitopol Museum of Local History, Leila Ibrahimova, told the New York Times Galina Andriivna Kucher was kidnapped on 30 April.

Kucher’s disappearance follows the loss of 198 priceless artefacts reportedly looted from the museum.

Russian forces removed the artefacts, consisting of gold pieces, old weapons, silver coins and medals, which are more than 2,300-years-old, after museum workers attempted to hide the items.

Kucher reportedly refused to disclose the location of the artefacts. She was released from the raid but subsequently kidnapped the following night.

Melitopol has been occupied by Russian forces since early March.

ALRA students join Rose Bruford College

04 May 2022

A total of 142 former ALRA students are to continue their studies with Rose Bruford College following the academy’s closure last month.

All students across undergraduate, postgraduate and foundation courses were offered a place to continue their course after the fallout.

The transferring students will work across Rose Bruford’s campuses in South West London and Wigan. The college said it has been working with a number of institutions to ensure students make a smooth transition.

Principal Claire Middleton says the transfers offer students a “secure way to complete their training after such an unsettling time”.

“We were encouraged to see the outpouring of support for them from across the industry,” she added.

Project seeks artists of colour ‘to tackle racial injustices’

04 May 2022

Initiative inspired by Black Lives Matter movement will commission artists of African and Asian heritage to help tackle “shockingly low” representation in British public arts institutions. 

Digital Heritage Hub to offer sector-wide solutions

04 May 2022

Answers to the heritage sector’s most pressing questions have been compiled in a new Digital Heritage Hub.

Designed to help small and medium-sized organisations boost their capability, the hub answers 100 of the sector’s most frequently asked questions, providing links to 100 free resources.

A collaboration between the Arts Marketing Association, the Heritage Digital Consortium and the University of Leeds, the hub is the result of research that sought to uncover the problems vexing heritage organisations, from how to general revenue using digital tools to how to use data in decision making.

It was established with £435,300 funding from the National Lottery Heritage Fund and the Department for Digital, Culture, Media and Sport.

“A lot of small to medium organisations don’t have access to, or the means to access, professional expertise,” said Arts Marketing Association CEO Cath Hume.  “The Digital Heritage Hub will be their free, one stop shop of the expertise they need to take the next step – or even the first step – in their digital journey.”

The project is part of the Heritage Fund’s £3.5m Digital Skills for Heritage initiative. Further resources will be added to the hub in coming months.
 

UK’s first Aboriginal-owned art gallery to open in Bristol

04 May 2022

Wiradjuri-British artist Jasmine Coe will launch a pop-up gallery in Bristol this summer to celebrate the work of Aboriginal artists. 

Coe Gallery will be Britain’s first indigenous-owned Aboriginal art gallery. It is named for the artist’s father, Paul Coe, an activist involved in campaigns for Aboriginal justice and land rights.

“My art becomes a place where I can learn about the history of my culture and what my family have stood for,” Ms. Coe told the BBC.

She decided to open the gallery in Bristol to highlight the city’s connection to colonialism in Australia.

“Bristol is a city that has its own traumatic colonial history where the historical narrative is now being shifted,” she said. “I believe there is space for the indigenous experience to be heard and to share in how colonialism continues to affect indigenous communities across the world.”

The gallery will hold exhibitions in a pop-up space, with the support of Bridging Histories and the University of Bristol, while Ms. Coe searches for a permanent venue.

Artists scheduled to exhibit include Sandon Gibbs-O’Neill, an Aboriginal artist from Australia.

He told the BBC that it’s important for indigenous artists “to have control over our own narrative”. The new art space will show that Aboriginal communities are “not just surviving, we’re actually thriving,” he said.

Lloyd Webber's Cinderella closure sparks protests

Protestors gather outside Gillian Lynne Theatre
04 May 2022

Current and future cast members must be compensated, Equity says, after brandishing the abrupt closure “unacceptable”.

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