Editorial archive

Roger Tomlinson has more questions than answers about the quality metrics system that Arts Council England’s larger NPOs will soon be required to use.

(IN FRENCH) Museums have become the new cathedrals, says Paul Rasse, as he traces the development of cultural institutions.

Should arts organisations resist pressure to use an opt-in model for communications? Hugh Radojev reports on recent comments by the Direct Marketing Association.

Two petitions calling for the continuation of Falmouth University’s bachelor degree in contemporary crafts and foundation course in art and design have attracted more than 15,500 signatures.

The government scheme, which supports art projects associated with public building developments, is being reviewed with a view to making more money available for artists.

Ulster University has dropped its BA Honours dance course following an internal review, prompted by cuts to the region’s education budget in 2014/15.

If the new London Concert Hall is to succeed, it must learn lessons from the recently completed Elbphilharmonie – which opened in Hamburg seven years late and more than £500m over budget, says Jack May.

The Department for Education’s teacher supply model predictions for 2017-18 find a huge increase in the need for teachers of subjects included in the English Baccalaureate, while the demand for...

Young female composers should not be cowed by any shaming of the “emotional” or “feminine” in their work, as they fight to make classical music more equitable and diverse, writes Sarah Kirkland Snider.

Five teams were due to be shortlisted for a £2.6m design contract to improve exhibition spaces at the Birmingham Museum and Art Gallery, but the tender has been cancelled. Birmingham Museums...

Manifesto pledges would see the party deliver on earlier proposals for 90% of pupils to study the EBacc, and establish a new curriculum fund to develop “knowledge-rich” classroom resources.

Live-to-screen may offer plenty of opportunities for engagement on multiple channels and platforms, but we need more and better analysis to start to fulfil its potential, says Anne Torreggiani.