Martin Wright
I would have dropped out of the University of Warwick at the end of my first year had it not been for Martin. His teaching sparked and then developed my interest in Elizabethan and Jacobean literature and drama. He taught me how to ‘read’ plays by Shakespeare and his contemporaries. His courses inspired me to embark on the Globe’s current 30 year project to stage performances with scripts of all the plays published between 1567 and 1660. I haven’t seen him for many years... more
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Issue 205: Trends in Touring
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Trends in Touring
02 Nov 2009Patrick Spottiswoode names those who have inspired him most.
Also in this feature
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02 Nov 2009
Arts venues’ income from hires has taken a pasting in the recession. Miles Eady shares some survival tactics in the current climate, and suggests we stop blaming the credit crunch.
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02 Nov 2009
Nick Beasley considers impending changes for the arts in Wales and how they will help redefine excellence.
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02 Nov 2009
Patrick Spottiswoode names those who have inspired him most.
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02 Nov 2009
AP brings you expert advice from across the sector. This issue, how to deal with an unbearable Chair.
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02 Nov 2009
Rural touring is a well kept secret, but one that the National Rural Touring Forum doesn’t want to keep, writes Ralph Lister.
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02 Nov 2009
Touring can be an important part of a survival strategy. Phil Gibby lays out three important lessons that WNO has learned.
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02 Nov 2009
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02 Nov 2009
Contemporary music does not enjoy the same accessibility as contemporary art. Hannah Bujic suggests some ways to change this.
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02 Nov 2009
Networking and new ideas are essential when trying to get the right balance of touring work in a venue, writes Simon Hollingworth.
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02 Nov 2009
As traditional patterns become increasingly difficult to maintain, ITC members are concerned about the challenges facing the touring sector. Charlotte Jones explains some of their fears.
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02 Nov 2009
Siobhán Bourke, Jane Daly and Pádraig Ó Siadhail explain how a new catalogue of Irish plays will seek to bridge the gap between Irish-language theatre and English-language theatre in Ireland.