Dance company Motionhouse’s partnership with a furniture manufacturer is as close as it gets – they work side by side. Louise Richards explains how the unusual collaboration developed.
The CEO and Artistic Director of Déda reflects on the influential figures he has learned from.
Joanne McShane reflects on the people who have guided her professional career, both as a dancer and as a choreographer.
A popular dance-based falls prevention programme offers effective treatment on the NHS, with a growing network of local groups helping older people maintain the benefits afterwards. Tim Joss tells the story.
Older adults living with chronic health conditions are improving their physical and mental wellbeing through the joy of South Asian dance, writes Claire Farmer.
Baker Richards helped the Royal Opera House kick-start a revolution in evidence-based marketing that increased revenues by £400,000 in six months. Tim Baker talked to Lucy Sinclair about the value of using data to drive decision-making.
A circus artist helped older people and children develop their confidence and communicaton skills in workshops at Guy’s and St Thomas’ Hospital, writes Emma Gladstone.
As well as being a studio space for independent dancers and choreographers, Glasgow's The Work Room is also an empowering artist-led support network, says Anita Clark.
New funding aims to bring disabled artists into the mainstream of European dance and theatre, and build a network committed to presenting their work.
The subject is seen as a useful way of encouraging children to engage with physical activity, even if they do not like competitive sports.
A project in three Manchester secondary schools engaged students in discussions about mental health and enabled them to develop their own creative responses through dance and movement. Kevin Edward Turner tells the story.
Losing NPO funding was devastating for Dance Manchester, but it has liberated the company to pursue its own path driving placemaking through outdoor work, says Deb Ashby.
Bespoke segmentation modelling helps Sadler’s Wells talk to its audiences with personalised precision across venues and genres. Sebastian Cheswright Cater explains how.
At the very heart of Jasmin Vardimon Company is a dedication to education and nurturing talent. Lauren Baldock explains who benefits and how.
The previous Director of Dance UK has returned to the country after a stint working for Orlando Ballet in Florida.
Mira Kaushik reveals how an introduction to experimental Indian street theatre in the 1970s and conversations with a vagrant bohemian wanderer shaped her career.
A barefoot dancer and a 90-year-old juggler: Sean Gandini reveals the people who have shaped him and his career.
Music and dance leaders have implored a Lords select committee to support the introduction of a special arrangement within the visa system for performers.
New research found audiences in rural Lincolnshire are hungry for culturally diverse theatre and dance, but the provision isn’t there. Arya Madhavan and Sreenath Nair explore the issues.
Do you have any advice for Vicky Rodríguez-Altuna, who wants to take her successful flamenco show around the UK but is struggling to raise the necessary funding?