Julie Bécaud, now a researcher at the Scottish Maritime Museum, explains her first steps into the arts in the UK.
To work in a museum you need the right academic qualifications and the resources to volunteer, but new initiatives in Scotland are starting to open up the sector to young people from more diverse backgrounds, says Catherine Cartmell.
Why would a cultural venue install a swimming pool? Alexia Jacques Casanova charts the evolution of inclusive and participatory practice in museums and shares advice from Bozar in Brussels.
A new report is heavily critical of the Mendoza Reivew, after identifying a gap between museum resources and the cost of acquiring art through auction.
Three years ago Bristol’s museum and gallery shops were running without a plan and losing money, but now they are on track to increase revenue by 60%. Zak Mensah tells the story.
Museums and galleries are urged to regularly extend opening hours and put on after-hours events, which are estimated to be worth an annual £9.6m in ticket sales.
The Museums Association’s annual survey finds 4% of the workforce are non-UK EU citizens.
As we begin the process of leaving the EU, our regional museums have the power to change perceptions about Britain’s place in the world. We should celebrate them more, says Jonty Claypole.
The threat of terrorism is thought to have contributed to falling visitor numbers at some of London’s leading museums and galleries, although the V&A bucked the trend with record figures.
Arts Council England has committed to developing a Museums Action Plan, on the recommendation of the first independent review of the museums sector for more than ten years.
Paul Young receives guidance on partnerships and funding, in response to his question about opening a children’s TV museum as a social enterprise.
Abbot Hall in Kendal, a Grade I listed mansion and now home to an art gallery and museum, is in the early stages of its redevelopment. Gordon Watson outlines the proposals.
Why do we talk about organisational change as if there are right and wrong answers? David Jubb discusses how the Scratch collaborative process for theatre production is also a powerful tool for organisational development.
The Canterbury Heritage Museum has attracted fewer and fewer visitors in recent years, but a rescue plan involving the Marlowe Theatre is set to revitalise it. Janice McGuinness tells the story.
Preston’s Harris Museum and Art Gallery needs ‘re-imagining’ and who better to do it than the young people who will be its visitors in the years to come, says Matthew Wilde.
Inspired by theatres, Bristol’s museums and galleries decided to try out a ‘pay what you think’ model for exhibitions. Philip Walker tells the story.
Despite the cuts, many museums are managing to increase income through commercial activities and fundraising, the Museums Association’s survey has found.
An economic and social impact study has revealed how National Museums Liverpool contributes to the local economy, tourism, education and health and wellbeing.
The rise of the selfie has created new problems for those managing ‘dark tourism’ sites, such as Auschwitz-Birkenau. Félicie Kertudo examines how they can promote themselves ethically.
Should museums shy away from talking about torture, sexuality and death with children? Sacha Coward explains why he thinks no topic should be off limits.