With all the reliance on digital technology over the past decade, are arts organisations as digitally mature as they should be, asks Hannah Mason.
As new technologies open up the possibilities for creativity in stage performance, a new children’s theatre production showcases the potential of augmented reality. Sasha Kreindlin tells the story.
New analysis by Nesta assesses the context in which UK arts and culture organisations operate as Arts Council England consults on its next ten-year strategy.
The DCMS has published an ‘action plan’ to help cultural organisations make the best use of new technology.
The digital art agency has described its reduced budget as “an excellent opportunity to sharpen our focus”.
Orchestra of the Age of Enlightenment and Pilot Theatre are among the organisations awarded grants of up to £20k to develop “riskier, content-driven projects”.
A skills gap means that works using technology are still rare in arts centres and galleries. Artists need more opportunities for hands-on experience, says Andrew Knutt.
In the lead-up to the opening of new venues in Hong Kong’s West Kowloon Cultural District, Anna CY Chan is embracing technology to broaden dance audiences and develop future talent.
Events are fickle things, prone to frequent last-minute changes that can cause chaos. Could your venue’s systems benefit from further digitisation? Andrew Thomas considers the issues.
New technology and a growing interest from young people has led to a boom in ‘micro-volunteering’ in the arts. Claire Sully explains how it’s helping some organisations engage audiences and save money.
Arts organisations in Wales are becoming more imaginative with the types of volunteer opportunities they offer, from online volunteering to time-banking schemes, reveals Gareth Coles.
A lack of online information is leaving many publicly funding arts venues inaccessible to deaf and disabled members of the public, a new VocalEyes report has warned.
It’s inevitable that you will get some bad reviews and customer complaints on social media, but how should you respond? David Burns offers his advice.
The Arts Council England-backed scheme has been announced the week after research found arts organisations are becoming less experimental with digital technology.
A lack of money and staff time are preventing digital progression and confidence in digital skills has stalled, according to a new report on the role of technology in the arts.
Freedom Studios recently filmed and broadcast a performance live from multiple mobile phones. Imran Ali explains how.
Virtual reality technology may be in its infancy, but Luke Ritchie sees huge potential for the arts. He reveals how the Philharmonia Orchestra is using it for artistic and audience development purposes.
Creating effective social media messaging and engaging digital content takes time and careful planning. Sarah Leech describes the approach at HOME in Manchester.
Are you certain you are reaching your widest possible audience through Facebook? If not, you may need to consider paid advertising, advises Katie Moffat.
Scottish Ballet’s first digital season gave the company the opportunity to experiment with new technologies, but would audiences like it? Charlotte Gross tells the story.