The research centre will aim to “pre-empt the needless wheel-spinning, data-churning and combative cross-talking that has characterised much of the past debate” about cultural value.
Two reports commissioned by Arts Council England found that cost and lack of confidence are major barriers to youth engagement.
New funding aims to bring disabled artists into the mainstream of European dance and theatre, and build a network committed to presenting their work.
By taking a robust approach to understanding the social class make-up of the workforce, the cultural sector can address entrenched inequalities. Dave O’Brien suggests a way forward.
The scheme, which offers free theatre tickets to young Black people, is hoping to expand following two successful crowdfunding campaigns.
New research has found three quarters of Deaf and disabled gig goers feel discriminated against when booking tickets for live music events.
Working with a children’s hospice has allowed Birmingham Hippodrome to make its productions accessible to families who might otherwise miss out, and it has learnt a lot along the way, says Nichole Cooper.
A collaboration with the Wolfson Foundation will see theatres of all sizes eligible for up to £20k in funding this year to make their buildings more accessible.
Raquel Meseguer triggered a security alert when she lay on the floor at the Southbank Centre. She shares the work she has been doing ever since to help arts venues become more welcoming to those with chronic pain.
A lack of online information is leaving many publicly funding arts venues inaccessible to deaf and disabled members of the public, a new VocalEyes report has warned.
Oldham Coliseum’s new extension will provide access for everyone to future-proof itself in a borough that is home to many people with disabilities, writes Kevin Shaw.
The gallery will hold regular ‘Autism Hours’ with dimmed lights, reduced noise and break-out spaces available.
Andrew Miller, a regular visitor to the Edinburgh Festival Fringe, shares his shocking experiences of inaccessible venues, poor seats and the city’s precarious pavements.
The UK and Poland were the only EU countries that didn’t contribute to a major new report on how arts organisations and policy makers can help migrants.
What should people working in the arts do to support writers in their early years? Steve Dearden, co-founder of the The Writing Squad, offers his thoughts.
Graeae has successfully developed D/deaf and disabled audiences across the UK. Richard Matthews explains the principles and strategies that guide their marketing work.
A series of portrait-painting events exploring and celebrating diversity engaged both live and online audiences. Mandy Fowler explains how people from all around the world got involved.
A new guide is aiming to increase opportunities for disabled children and young people to participate in music-making.
Be prepared to make mistakes and consider reaching out to other organisations running relaxed events, says Kate Lovell.
All audiences benefit from inclusive design, but most importantly it helps disabled and older people. Jennifer Tomkins and Jo Verrent share tips on how to get it right.