Your go-to guides to AI
We are at an inflection point with AI. To help cut through the noise, Substrakt’s Katie Moffat has curated a list of the current…
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Covid five years on: No return to ‘normal’
Oily Cart has over 40 years’ experience creating immersive sensory shows – in-person, responsive and close-up. When the pandemic…
How devolution could revitalise the future of UK arts
The announcement last week of additional funding for the arts was very welcome news but, says Matthew Cleaver of Anvil Arts, more…
Outreach is essential to widening access to the arts
Taking shows into classrooms and community halls is vital to breaking down barriers and redressing the balance in arts provision,…
Art as superpower: How Hastings harnesses creativity to build resilient communities
Perched on the English Channel, Hastings attracts considerable migration. But, as Dee Haughney shares, the work of a trailblazing…
Making great things happen
Christoph Lindner, vice chancellor of the Royal College of Art, has spent his working life embracing the freedom to follow his cre…
Reducing the carbon footprint of your digital activity
It’s tempting to dismiss digital sustainability as too big of a challenge to tackle, writes Substrakt’s Zosia Poulter. But the…
Culture and civil society
The government published its Civil Society Covenant Framework last autumn. Jason Jones-Hall of the cultural placemaking organisati…
Early years: Thriving through movement
Daniel Fulvio is director of community partnerships at Rambert. Here he shares a pioneering dance project that aims to equip young…
Creative voices, activist voices: Stories of creative communities
To what extent can finding a creative voice unlock your wider civic activist voice? Dr Katy Pilcher and Fun Palaces’ Amie Taylor h…
Who leads the UK’s arts councils?
After a year of change across the government and arts councils of the UK, here’s a handy, end-of-year round up of the current chai…
Strategising culture in the West Midlands
Culture Central was founded as a voice for the cultural sector, working collaboratively to support a dynamic, resilient and inclus…
Getting to grips with EDI
Since 2020, Equality, Diversity and Inclusion has been part of the governance code for charity boards. Yet, as Debra Allcock Tyler…
Artful economies: How business schools can help arts organisations
Arts and cultural organisations are wrestling daily with their business models to ensure sustainability. Suzie Leighton thinks the…
The future of heritage in England
In light of a complex funding landscape facing England’s heritage sector, Cause4’s Michelle Wright and Annie Jarvis explore the…
The business model of place
With the Chancellor’s Autumn Budget committing to an as-yet-unspecified ‘package of cultural infrastructure funding’, Jason…
How to solve a problem like affordability
Four years ago, Battersea Arts Centre launched a Pay What You Can scheme to widen access to live theatre. Robbie Kings has been ev…
Scottish creative ambition
Scotland’s arts sector has suffered continuing uncertainty in terms of public arts funding this year. Fiona Gibson, chief execut…
Ensuring bread for all and roses too
At £1bn a year, local government is still the major funder of public culture. But local authorities are facing difficult decision…
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