Culture Recovery Fund grants raise transparency questions

DCMS has announced £76m funding for 588 cultural organisations, the second major tranche of Culture Recovery Fund (CRF) grants worth up to £1m.

The first, larger round awarded £257m to nearly 1,400 applicants last week, and further rounds for grants of up to £3m and loans of £3m or more are yet to come.

The grants are being administered and distributed by Arts Council England (ACE), but in a highly unusual move they have refused to reveal how many round 2 funding applications were unsuccessful.

Despite acknowledging that more than 570 applications were rejected for the first funding round, ACE will not be disclosing the success rate for the second round, saying it "won't give an accurate picture of progress overall" since there is still further funding to be delivered.

An ACE spokesperson said "we are delivering the fund for Government, and DCMS are leading on the comms", but would not confirm or deny that DCMS or another Government actor had told ACE not to share that information publicly.

ACE's reticence is in stark contrast to the approach of the Arts Council of Wales, whose spokesperson told ArtsProfessional: "We have a good relationship with Welsh Government... There was no objection to us sharing the total number [of applications], and we did so in the name of transparency."

Levelling up?

Recovery grants for the arts across England have not kept pace with London in the first two CRF rounds.

Across rounds 1 and 2, roughly a third of funding was awarded to the capital (£114m).

While London is home to large organisations with national outreach programmes, analysis of the grants using the most recent population estimates shows their per-person value was £12.73 - more than double that of all other regions - and that figure could grow further when the largest awards are announced.

The London-heavy allocation raises questions about what the arts sector will look like post-pandemic.

Night Time Industries Association CEO Michael Kill said many rejected applicants were now in "an extremely difficult financial position".

"We are keen, alongside hundreds of unsuccessful businesses, to understand the criteria with which some of these decisions have been made.

"We are losing important businesses and people every day," Kill added.

READ MORE:

• Hundreds of arts organisations rejected for emergency funding
• Unease grows over recovery grant allocations

West Midlands had the lowest per-person funding at £3.85. Yorkshire and Humber and the East Midlands followed at £4.14 and £4.15 per person respectively.

Pat McFadden, Shadow City Minister for the West Midlands said: "So much for levelling up."

"The West Midlands arts and cultural sector needs help just like everywhere else. Our venues can’t operate and thousands of jobs are on the line.

"In this case the Government has certainly not put its money where its mouth is."

The South East and East of England fared a little better at £4.45 and £4.40 per person, while the South West was second to London at £5.68 per head.

Funding was also relatively low across the north of England, where coronavirus restictions limiting artisitc activity are the harshest.

Out of the £334m awarded so far, 81 organisations in the north east received £13.9m, 229 in the north west received just under £39.5m and 169 organisations in Yorkshire and Humber shared £22.7m.

The average grant across these three regions was £159,879, compared to £182,094 in London.

Dance 'a cinderella'

Dance received just 2.4% of the two CRF funds despite making up more than 10% of ACE's national portfolio.

Cheshire Dance, based in north west England, said it was concerned the Culture Recovery Fund "was not designed to help our sector, organisations like us, nor freelancers in dance".

Despite contributing £41m to the cultural sector, economic activity and employment in dance - often freelance - is at a standstill.

"We’re concerned that without better designed investment tools and policy level advocacy, the dance sector will once again become the Cinderella artform, wasting years of capacity building and past investment," Cheshire Dance said.

Music was the most widely supported art form in CRF rounds 1 and 2, with 543 organisations receiving funding compared to 63 dance organisations and 40 working in literature.

Theatre also benefitted highly, with 424 organisations recieving an average of £197,337 each.

Museums received the highest average grant at £215,548.