Coldplay on the drum kit, Beethoven on the Timpani - the Love Music Trust Percussion Ensemble played for an arm-wrenching 12 hours straight to fundraise for an original commission.
The winner of the top honour at last week’s Critics’ Circle National Dance Awards – Caroline Miller – reflects on the people who have inspired and guided her career.
Braving snow, ice and slipper-eating Sprocker Spaniels, filmmaker Dusty Rhodes shoots a photo a day to offer a peek into his working life.
Remember Dolly Parton’s work ethic and surround yourself with love: Bryony Shanahan – from the team behind ‘Bitch Boxer’ – shares her top tips for starting a theatre company.
What kind of person makes a good fundraiser? Amanda Rigali answers your questions and reveals why it’s never been a better time to enter the field.
Want to make it as a composer? Stop asking ‘why me’ and start asking ‘why not me’, advises Sandy Nuttgens.
Is there more to careers fairs than free keyrings and Haribo? Carl Woodward visits two arts-orientated events to find out.
Meet as many people as you can, and put your self-esteem in your own hands, not the hands of others: advice from Jennifer Jackson for young professionals.
How much does an accountant earn in the arts sector, and how good do your maths skills really need to be? Mahmood Reza answers all in this comprehensive guide.
Director of Macclesfield’s Barnaby Festival, Karl Wallace, reflects on his career making big things happen.
Being disability-friendly isn’t just about physical accessibility. Alistair McDonald explains how Chase Park festival ensures it is inclusive and welcoming of everyone.
What’s it really like to work as a curator? Bluecoat’s Adam Smythe shares his story and advice for those considering a career in curating.
Tim Johanson takes a break from producing theatre shows in London and New York to share his top tips for producing a hit play.
The brains behind Edinburgh Student Arts Festival, Briana Pegado, takes us on a tour of her working life.
Label boss Alya Marquardt reveals why she would persist with challenging music and learn to be happy in her own skin if she were at the start of her career once again.
At the start of their careers, artists need more than just brilliant ideas - they need to develop skills that will enable them to shape and sustain their practice. Ann Drew explains how applying for an enterprise award can help them achieve this.
When you look at a painting in a gallery, do you ever wonder how it got there? David Gosling explains how to stay cool and focused whilst moving priceless pieces of art.
Battersea Arts Centre’s Artistic Director David Jubb offers advice to those just starting their careers, whilst his colleague Tobi Kyeremateng shares tips that she has recently put into practice.
What’s it like working front of house? And how much can you expect to earn? Zoe Hardie answers your most common questions.
Ever wondered what a Literary Manager actually does? Steve Harper, of Theatre503, gives us a visual tour of his working week.