From Tamasha Theatre Company to the Free Word Centre, Bryan Savery traces the course of his career.
Blue skies, biscuits and buses: all in a week’s work for Lucy Fox, Digital and Communications Coordinator at Candoco Dance Company
Make full use of the senses – even those you don't have: Deafinitely Theatre’s Paula Garfield explains how to create theatre for deaf and hearing audiences.
As she joins Stagetext, Melanie Sharpe looks back on those who have inspired her career.
“When you gonna love you as much as I do?” Artist Terence Wilde offers some gentle guidance for himself at 22.
What draws people to a craft that has remained unchanged since the 1800s?
Independent theatre producer Tara Finney takes us along as she zips through the final weeks of a tour.
Run away with the circus, and if there is no doorway, make the door – advice from the composer and first black woman to have a piece performed at The BBC Proms, Errollyn Wallen.
Young actress Keisha Atwell reflects on her career so far, calling for the same opportunities to be given to all BME performers.
London Classic Theatre’s Michael Cabot shares his tips for those hoping to hit the road.
From engineering to managing cream teas at the National Trust and now fundraising for Cheltenham Festivals, Rod Hebden tells us about his career so far.
Light art in former porn shops and harrowing exhibitions about Yugoslavia’s ‘golden years’: all in week’s work for art critic and presenter Aindrea Emelife.
Submitting a grant application can be a difficult and confusing process. Deaf artist Olivier Jamin shares his tips for disabled applicants.
From MoMA Oxford and ICA to Artangel and Arnolfini – Rob Bowman tells us about his career presenting extraordinary art.
The composer and producer Jimmy Jewell, who has performed on stages all around the world, offers a clear message to 22 year olds: only you can grab hold of your own future.
Virtual violins and computer-based guitars need more than just the right sounds if they’re to work for deaf musicians. Richard Burn describes his research into accessible virtual instruments.
Eleanor Lang tells us about the twists and turns that have led her to become the new Executive Director of Cheek by Jowl.
Do freelance musicians get the weekend off? And how many trains do they actually have to take? Emma Donald takes us on a visual tour of her working week.
Rage, love and a funeral procession: Cardiff's arts communuity protested against local arts cuts this weekend. These are the photos.