For Susan Miller, an MA in Fine Art has been a real opportunity to confront the vulnerability artists feel when exhibiting their work in public spaces.
Chicago-raised electronic music producer Kate Simko says get out there while you're young, and don't be afraid to pull the plug on dead-end projects.
Liam Evans-Ford reveals the people and companies that have inspired his work making brave and bold theatre.
In some jobs, it’s normal for people to pour glitter over their heads and for babies to take over your desk. Flavia Fraser-Canon shows us a snapshot of her working week.
What does a tech week in theatre look like? Gary Wood, appearing in The House of Inbetween at Theatre Royal Statford East, offers a peek into his.
He dropped out of art school and ended up painting backdrops for Star Wars and Harry Potter. What advice does Jack Candy-Kemp have for budding scenic artists?
Studio 3 Arts’s Liza Vallance reveals who inspires her work at the forefront of socially engaged, co-created artistic practice.
Just starting your career? Get out there – meet people and see things, says lecturer, curator and artist Gayle Nelson.
The arts needs to lose a sense of purity and develop a start up attitude, argues festival director Briana Pegado.
From Tamasha Theatre Company to the Free Word Centre, Bryan Savery traces the course of his career.
Blue skies, biscuits and buses: all in a week’s work for Lucy Fox, Digital and Communications Coordinator at Candoco Dance Company
Make full use of the senses – even those you don't have: Deafinitely Theatre’s Paula Garfield explains how to create theatre for deaf and hearing audiences.
As she joins Stagetext, Melanie Sharpe looks back on those who have inspired her career.
“When you gonna love you as much as I do?” Artist Terence Wilde offers some gentle guidance for himself at 22.
What draws people to a craft that has remained unchanged since the 1800s?
Independent theatre producer Tara Finney takes us along as she zips through the final weeks of a tour.
Run away with the circus, and if there is no doorway, make the door – advice from the composer and first black woman to have a piece performed at The BBC Proms, Errollyn Wallen.
Young actress Keisha Atwell reflects on her career so far, calling for the same opportunities to be given to all BME performers.
London Classic Theatre’s Michael Cabot shares his tips for those hoping to hit the road.